Contributor

Patrick Carey

Films related to Patrick Carey

16m 00s

Beara

An exploration of the wild desolation of West Cork, Beara is a landscape film featuring the unique flora and fauna of the Beara Peninsula off the coast of Cork. The film begins with a slow zoom in on the Beara Peninsula on a map of Ireland. What follows is a breathtaking depiction of nature. Raging waterfalls, stunning water reflections, turbulent waves, sea cliffs, bathing birds and nesting puffins form some of the striking imagery of this film. This film is part of The Patrick Carey Collection.

21m 00s

Reflections - Ireland

Reflections – Ireland is a stunning, non-narrated tourist film with accompanying music by Paddy Moloney and The Chieftains. Many of Paddy Carey films depict a scarcity of civilisation, an untouched landscape, but here he treats the viewer to the beauties of landscape interwoven with a vivid tapestry of human activity: anglers in a lively river; bird-watchers at work; sheep farmers; horse riders; seaweed gatherers. A nighttime sequence shows people gathering in an unidentified village for music in a cosy pub. This film is part of The Patrick Carey Collection.

25m 00s

Waves

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves. This film is part of The Patrick Carey Collection.

17m 00s

Oisín

In Irish legend, Oisín, son of Celtic warrior Fionn Mac Cumhaill, was a warrior, a bard and a poet. This lyrical film opens with a quotation from Irish mythology where Oisín describes Irish birdsong as ‘the sweetest in the world’ and urges us to ‘stop and listen!’ What follows is a stunning, non-narrated depiction of Irish birds, animals and landscapes. Oisín was commissioned by the Department of Land of Ireland as a contribution to the European Conservation Year. Oisín is part of The Oscar® Collection: A Selection of Irish Academy Award® Nominated Short Films It was nominated for an Academy Award® for Best Documentary Short in 1971. This film is part of The Patrick Carey Collection.

15m 00s

Mists of Time

Mists of Time is a poetic, visual portrait of the mythology surrounding Ireland’s megalithic tombs and standing stones. The monumental dolmen and passage graves of Ireland, once burial grounds from the Late Stone Age, are depicted alongside tales of the pagan Halloween festival, Samhain. Dramatic cinematography depicting sunsets and tombs at the Burren, Country Clare, and Newgrange, County Meath (Ireland’s best-known passage grave) is underscored by the music of Brian Boydell. This film is part of The Patrick Carey Collection.

17m 16s

Yeats Country

Yeats Country is a lyrical film commissioned by the Department of Foreign Affairs to commemorate the centenary of the birth of William Butler Yeats. The first film made by cinematographer and director Patrick Carey in Ireland, this documentary celebrates the landscape of Yeats’s poetry through stunning photography and a voiceover rich in poetry and in biographical detail narrated by Tom St. John Barry. Evocative images of the west of Ireland illustrate the poet’s life including: Thoor Ballylee Castle where he lived; Coole Park, home of Lady Gregory where literary figures of the period socialised; Lissadell House; Knocknarea Mountain; the slopes of Ben Bulben; the waterfall at Glencar; and finally, Yeats’s grave at Drumcliffe. Yeats Country is part of The Oscar® Collection: A Selection of Irish Academy Award® Nominated Short Films. It was nominated for an Academy Award® for Best Documentary Short in 1965. With kind permission of the Department of Foreign Affairs.