IFI Irish Film Archive
Tourist Taste
Duration56s
American tourists sample Guinness enthusiastically when they notice that it’s the choice of beverage for locals. Featuring actor John Sterland (Batman, 1989).
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Missing Green
A solitary woman walks through the eerie night-time landscape of Dublin’s Cork Street, a street once quiet and residential, now a four-laned artery for city traffic. Cork Street, as described by the narrators Councillor John Gallagher, architect Gerry Cahill, journalist Frank McDonald and sociologist Aileen O’Gorman, used to be a much better place to live than it is today. Gone are the days when people could easily cross the road to visit neighbours or children could safely play on the street. Urban planners carved out this four-laned artery to connect the city with its outlying suburbs. Furthermore, a decision to fence off open spaces in an attempt to prevent anti-social behaviour , succeeded only in promoting social isolation for the residents who still call Cork Street home. The isolation is embodied in the character of a young woman (actor Niamh Algar, nominated for a BAFTA for 2019’s Calm with Horses) who walks through the deserted urban landscape as memories are narrated which no longer match the present-day surroundings. This film is part of F-Rated: Short Films by Irish Women.
Leland Bardwell - Imprint: Writer in Profile
The late Leland Bardwell discusses her early childhood spent in India with her Irish parents. The family returned to Ireland when she was 2 years old and it was here that she would later carve a career as a novelist and poet. Bardwell outlines her trajectory from first publication for Arena Magazine in the ‘60s, encounters with her peers Patrick Kavanagh and Flann O’Brien, to publishing Girl on a Bicycle in 1977. Bardwell also expresses her interest in marginalized sections of society and the suppression of young women in Ireland. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.
Crock of Gold - The Roy Spence Collection
When two children discover a herd of cows at the end of the rainbow they are disappointed as they were expecting to find gold. The film traces the journey of butter from cows grazing, to milking, to the final churning of milk into a crock of gold – packets of butter – much to the delight of the children. It is a simple delight, and moments like the creative sound mixing in the laboratory scene gives you a taste of Spence’s filmmaking talents. Roy Spence is an award-winning amateur filmmaker. For the past 50 years, Spence has been making and screening a series of remarkable and sometimes eccentric films in his cinema in Comber, Co. Down. The films span many genres from sci-fi to horror to folk-life documentaries shot between 1965 and 1986. His collection of over 40 films (13 documentaries/non-fiction and 29 fiction feature films) is held and preserved in the IFI Irish Film Archive.
Dublin Students Protest - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. November 1961 and students from Trinity College marched the main streets of Dublin in protest at nuclear bomb testing. The Campaign for Nuclear Disarmament, CND, was established in the UK in 1958 in the wake of widespread fear of conflict and the effects of nuclear testing. CND quickly grew with branches in Scotland, Wales and Ireland. This newsreel recorded Irish student protesters as they marched in Dublin from St. Stephens Green to the Ambassador Theatre on O’Connell Street. Their placards demanded 'Ban the Bomb' and called for world peace. Produced by Gael Linn, Amharc Éireann (A View of Ireland) is Ireland’s longest-running indigenous newsreel series. It was distributed to cinemas throughout the country to promote the Irish language. The first 36 issues were produced as single-topic films which were released monthly, followed in 1959 by weekly, multi-story newsreels featuring a broad range of topics, from hard news stories to lighter magazine-style items. Between 1956 and 1964, 267 editions of the newsreel were produced for cinema exhibition. With kind permission of Gael Linn.
Take Me Swimming
‘The day I don’t know who you are, promise to take me swimming’ – a melancholic promise between a husband and wife as her Alzheimer’s disease progresses. When Thady (Barry Ward) returns to his parents’ home for a neighbour’s wake, he is shocked by his mother’s decline (Olwen Fouéré, also seen in The Wake). Gone is the eloquent artist of the television interviews, and here now is a woman who has lost her capacity to carry out the most mundane tasks and spends her days in a local care centre. When he finds the crumpled promise in the pocket of an old dressing gown, the rest of his visit is spent bitterly resenting his mother’s condition and his father’s stoic acceptance. It is only when his mother goes missing in the middle of the night that he begins to understand how their love transcends her condition. Director Claire Dix and writer Ailbhe Keogan have since collaborated on the feature film Sunlight. This film is part of F-Rated: Short Films by Irish Women.
Ennis
A study of the sleepy village of Ennis, Co. Clare, in the 1940s and how Shannon Airport affected daily life in the locality. While Pathé’s lens focuses on primitive thatched cottages, a narrator describes how Ennis ‘clings to the old ways of life’. A young boy fills a bucket from a street pump and the voiceover tells how ‘water for a wash or a drink still means a long walk for someone’. Shannon Airport is only sixteen miles away and the locals have noticed a change. Cars, once a rare sight in the village, now ‘disturb the peace and quiet’ and hold up traffic on narrow country lanes. 23-year-old hotelier Josette O’Regan, however, anticipated the rise of footfall and marketed The Old Ground Hotel to tourists and airlines. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.