IFI Irish Film Archive

The Open Door

Duration21m 00s

The Open Door is a public information film from the 1960s encouraging the use of mental health services in the region of Derry. It is empathetically told from the point of view of a fictional character, burdened with the stresses of modern life, who checks himself into the Gransha Psychiatric Hospital, and emerges after six weeks of treatment with renewed optimism about returning to his regular life. Written and directed by John Hume, new hospitals such as the Gransha are shown as modern and comfortable facilities, far removed from the days when patients were incarcerated in cells. The staff are trained in all relevant aspects of modern healthcare, using occupational, industrial and recreational therapies to improve the confidence and communication skills of their patients, as well as religion, sport and entertainment to lift their spirits. The man playing the patient is in fact an ambulance driver named William Jarvis, and the other patients on screen were played by staff members of the Gransha hospital with entertainment officer of the facility Roger O’Doherty on the crew as production supervisor. This film is part of The Terence McDonald Collection.

This short documentary depicts the lives of the inhabitants of the Aran Islands off the coast of Galway in 1924. The opening title notes: ‘Remote from civilisation, unique in custom, these hardy Arran (sic) islanders eke out an existence from barren and rock-bound soil’. This short film, made about ten years before Flaherty’s epic Man of Aran, is probably the earliest surviving film of the islands. It presents a multi-faceted portrait of island life showing locals going about their daily routines: cattle are tied to a curragh and rowed out to a waiting steamship; rowing islanders are photographed by visitors to the island; island men participate in the game of stone throwing (ag caitheamh cloch nirt). A breath-taking sequence shows 4 islandmen roped together and scaling a rugged cliff face. These men were known as cliffmen and may have been trying to catch birds or steal their eggs. While elders are busy battling the elements and rural life, some children express delight at the visiting camera. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic. Aran historian Dr Deirdre Ni Chonghaile has identified sequences on all three of the Aran Islands Inis Meáin, Inis Oírr and Inis Mór.

15m 00s

Bye Bye Now

Residents of rural Ireland reminisce on the joys and sorrows of phone boxes as they become obsolete in the modern world. When phone boxes were first introduced in Irish villages in the 1920s, there was stern competition between local businesses to have one installed outside their property. The phone box would assume a monumental role in many people’s lives allowing them to stay connected with loved ones and receive all sorts of important news. In Mayo, a couple celebrating their 50th anniversary credit the box for helping to keep their long-distance romance alive. In Donegal, a man laughingly recalls how two women became trapped inside one while trying to wait out a bad storm. A young man nervously calls a maternity hospital for news of his young wife. Although many of those interviewed admitted they do not use the service anymore, the phone box is a fondly remembered feature of Irish village life. This film is part of F-Rated: Short Films by Irish Women.

14m 00s

Missing Green

A solitary woman walks through the eerie night-time landscape of Dublin’s Cork Street, a street once quiet and residential, now a four-laned artery for city traffic.  Cork Street, as described by the narrators Councillor John Gallagher, architect Gerry Cahill, journalist Frank McDonald and sociologist Aileen O’Gorman, used to be a much better place to live than it is today.  Gone are the days when people could easily cross the road to visit neighbours or children could safely play on the street. Urban planners carved out this four-laned artery to connect the city with its outlying suburbs. Furthermore, a decision to fence off open spaces in an attempt to prevent  anti-social behaviour , succeeded only in  promoting social isolation for the residents who still call Cork Street home.  The isolation is embodied in the character of a young woman (actor Niamh Algar, nominated for a BAFTA for 2019’s Calm with Horses) who walks through the deserted  urban landscape as memories are narrated which no longer match the present-day surroundings. This film is part of F-Rated: Short Films by Irish Women.

3m 17s

The Loopline Collection Featurette

Loopline Films is an independent production company established in 1992 by award-winning filmmaker Sé Merry Doyle. Since its foundation, Loopline has been at the heart of Irish independent broadcasting creating a wealth of important and diverse material on topics such as folklife, ethnology, architecture, art, literature and inner city life. The subjects explored by Loopline were chosen by Merry Doyle for their cultural and social importance. This first tranche of the Loopline Collection covers key areas of Irish history and arts, and contains a unique wealth of stunning images revealing everyday Irish society in urban settings. The focus of the filmmaker is on national identity in a changing world and Sé Merry Doyle set up Loopline Film with the specific intention of making creative documentaries that would endure and stand the test of time. The breadth of the collection is evident in the diversity of its content: The Folklife footage captures the last living moments of many traditional rural ways of life before mass production and consumerism led to their demise. The material covers traditional farming methods, boatbuilding, weaving, fishing, thatching, wheelwright, and spiritual customs. The collection contains a large quantity of urban material that chronicles the changing landscape of Dublin, its buildings and its citizen’s ways of life. The films include such historically resonant images as the clearance of slums, the closure of traditional markets, and tragic accounts of young teenagers dying from the heroin epidemic of the early 90’s. Portraits of artists, architects, writers and poets are also a cornerstone of the collection with riveting interviews with the very best artistic talent in the country. Patrick Kavanagh, John Montague, Hugh Leonard, James Gandon, Jennifer Johnston, Doris Lessing, John Henry Foley, Eavan Boland, Brendan Kennelly and Joseph O’Connor are but a fraction of those featured.

5m 18s

Terence MacSwiney Laid to Rest

This newsreel shows the final journey for Terence Mac Swiney, who died in Brixton, England on October 25th 1920. His body arrives in Cork at Customs House Quay on October 31st (it was diverted from Dublin to avoid demonstrations). The coffin of Terence McSwiney arrives on the tugboat Mary Tavy into Cork's Custom House Quay. A procession of mourners fill Patrick Street as hordes of people turn up to show their respects. His brother Sean MacSwiney is seen walking alongside the coffin along with his other brother Peter, who is acting as pallbearer. His coffin is carried into the Cathedral of St Mary and St Anne and he is buried at St Finbarr’s Cemetery. Terence James MacSwiney was an Irish playwright, author and politician. He was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British on charges of sedition and imprisoned in Brixton Prison in England. His death there in October 1920 after 74 days on hunger strike brought him and the Irish struggle to international attention.

1m 12s

Cathal Black In Focus - Trish McAdam Filmmaker Playlist

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. As her final pick for her Filmmaker Playlist, Trish McAdam wanted to highlight the virtual exhibition on the IFI Archive Player of a range of supplementary material within the Paper Collection relating to Cathal Black’s work and career. This material encompasses his role as director, producer and activist. It includes a large number of film stills, posters, programme notes, production notes and letters, all of which are a valuable source of information to students, researchers and anyone interested in learning more about his work. Please go to https://ifiarchiveplayer.ie/cathal-black/ to view the virtual exhibition.