IFI Irish Film Archive
Summer
Duration41s
What could be nicer than a cold Guinness on a summer’s day? But wait, is that rain?
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Missing Green
A solitary woman walks through the eerie night-time landscape of Dublin’s Cork Street, a street once quiet and residential, now a four-laned artery for city traffic. Cork Street, as described by the narrators Councillor John Gallagher, architect Gerry Cahill, journalist Frank McDonald and sociologist Aileen O’Gorman, used to be a much better place to live than it is today. Gone are the days when people could easily cross the road to visit neighbours or children could safely play on the street. Urban planners carved out this four-laned artery to connect the city with its outlying suburbs. Furthermore, a decision to fence off open spaces in an attempt to prevent anti-social behaviour , succeeded only in promoting social isolation for the residents who still call Cork Street home. The isolation is embodied in the character of a young woman (actor Niamh Algar, nominated for a BAFTA for 2019’s Calm with Horses) who walks through the deserted urban landscape as memories are narrated which no longer match the present-day surroundings. This film is part of F-Rated: Short Films by Irish Women.
Rúbaí
‘God is everywhere, Rúbaí. Everyone knows that.’ – Despite her teacher’s declaration, eight-year-old Rúbaí challenges the existence of God in the days before her Holy Communion. When Rúbaí continues to challenge her teacher and announces to the visiting priest that she is an atheist, she provokes their frustration and leaves them speechless when she cites Charles Darwin as ‘a fella who makes sense’. Enigmatic scenes of this solitary child purposefully digging in the garden are intercut with scenes of her reluctant preparations with her mother for the Communion Day. Her mother is impatient with her classroom defiance and her preoccupation with evolution but ultimately understands what is driving her to behave this way. This film won many awards including Best Short at the Babel Film Festival in Sardinia. This film is part of F-Rated: Short Films by Irish Women.
Margaret Atwood - Imprint: Writer in Profile
Canadian writer Margaret Atwood is perhaps best known for The Handmaid’s Tale, a novel that was recently adapted into a gripping TV series. This episode was filmed in 2001 and delves into, what Atwood describes as, her ‘precocious’ childhood, her early writer’s block and her desire to be a painter. She discusses how she wrote The Handmaid’s Tale quickly but that it required extensive research into totalitarianism and the suppression of women. The role of politics in her writing is analysed and Atwood expresses the responsibility and pressure that result from being known as Canada’s leading writer. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.
Irish Peace Imperilled by Extremists
This Newsreel from December 8th 1921, highlights are a variety of shots starting with the before and after scenes at the Mansion House, Dublin, where Éamon de Valera made a statement that he cannot recommend acceptance of the Anglo-Irish Treaty. “But Dublin’s attitude is obvious” as crowds cheer on the arrival of Mr. Arthur Griffith and Michael Collins, who both signed the treaty two days prior at 10 Downing Street. Sir James Craig (First Prime Minister of Northern Ireland) can be seen arriving in a car at Ulster Parliament to “Attack the Treaty”. The newsreel ends with a procession of prisoners triumphantly posing and cheering following their release, in what appears to be in a family carriage.
Trouble in Ireland
This newsreel is a compilation of events that happened in Ireland between 1916 and 1922. The order of the events is not presented sequentially but it gives a glimpse of the level of military presence and destruction in Ireland (predominantly Dublin city) during this time. The first segment shows British soldiers leaving Athlone Barracks following its takeover by General Sean MacEoin in the summer of 1922. Following this, soldiers are shown setting up barbed wire fences near City Hall, Dublin,and then in Dun Laoghaire horses are being groomed near Martello Tower. In the last segment, circa 1916, the devastating impact the Easter Rising had on O’Connell Street is shown, the destruction of many buildings can been seen as the camera slowly pans the main thoroughfare as pedestrians wander around the street. A shot of the first issue of ‘Irish War News’ can be seen, displaying the date April 25th 1916, this was printed in the GPO by Drogheda businessman Joe Stanley.
If These Walls Could Talk
IFTA-winning director Anna Rodgers highlights the plight of those who suffered and died in Dublin’s old psychiatric institutions. Opening with a quotation from Sebastian Barry’s novel The Secret Scripture, in which the main character is a resident in a Roscommon mental institution, the film takes us on a haunting tour of a vast and desolate building, once an Irish asylum. The voices of former residents describe their experience recounting their loneliness and suffering, and the harsh practice of electroconvulsive therapy (ECT). Their recollections reveal how people were committed and shed light on the social, economic and political factors that lead to their admission. The decision to feature voices and not faces allows the residents to maintain their anonymity. This film won the IFI’s Best Short at the Stranger Than Fiction Awards (now IFI Documentary Festival) and Best Documentary at the Kerry Film Festival in 2010. This film is part of F-Rated: Short Films by Irish Women.