IFI Irish Film Archive

St. Patrick's Country

Year1935 Duration1m 36s ProducerBritish Pathé

The story of the Irish patron Saint, Patrick is explored through footage of his adopted homeland in picturesque Northern Ireland. This 1935 film from the Pathe Pictorial cinemagazine series depicts the village of Raholp, Co. Down, where St. Patrick grew up. The narrator tells how very little has changed in the sleepy village since the saint’s childhood – a man thatches the roof of a cottage, a woman fetches water from a well, children feed calves, a farmer herds cattle and a young boy walks with a goat along the road to Saul, where St. Patrick first preached Christianity in Ireland. Downpatrick Cathedral features next; where legend has it, St. Patrick is buried. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

This short travelogue, part of the Pathetone Weekly cinemagazine, features the scenic landscapes of Glendalough, Co. Wicklow. Stunning footage of the ‘earthly paradise’ includes the upper and lower lakes, the majestic round tower, St. Kevin’s Church, and a ruined monastery. The narrator tells the story of St. Kevin – an Irish saint who lived very primitively in a cave by the lake in the 6th century. Facts are sprinkled with anecdotes: ‘A young woman enamoured with the holy man once visited him, only to meet with his displeasure. Indeed, he would have none of her and pushed her into the water.’ Tourists still flock to Glendalough to experience the spectacular scenery, rich history, archaeology and abundant wildlife. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

2m 30s

Ennis

A study of the sleepy village of Ennis, Co. Clare, in the 1940s and how Shannon Airport affected daily life in the locality. While Pathé’s lens focuses on primitive thatched cottages, a narrator describes how Ennis ‘clings to the old ways of life’. A young boy fills a bucket from a street pump and the voiceover tells how ‘water for a wash or a drink still means a long walk for someone’. Shannon Airport is only sixteen miles away and the locals have noticed a change. Cars, once a rare sight in the village, now ‘disturb the peace and quiet’ and hold up traffic on narrow country lanes. 23-year-old hotelier Josette O’Regan, however, anticipated the rise of footfall and marketed The Old Ground Hotel to tourists and airlines. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

1m 40s

The Causeway of the Giants

The majestic Giant’s Causeway, Co. Antrim, takes centre stage in this film from the Pathetone Weekly cinemagazine from 1935. A man clambers on some of the 37,000 basalt rock columns as a narrator describes the location as one of the ‘wonders of the world’. Most of the rocks are hexagonal in shape but there is one octagonal rock is known as the Keystone . Good fortune awaits those who sit in the Wishing Chair or drink from the Wishing Well. The narrator tells the legend of how an Irish giant built the causeway while trying to get to Scotland to fight a rival. He then adds how ‘it is probably really formed by volcanic action’ and is “one of the most superb rock formations in the world”. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

2m 29s

Along the Line

This 1931 film from the Pathé Pictorial cinemagazine series features the Lartigue Monorail, running from Listowel to Ballybunion, Co Kerry. The steam-powered monorail (originally designed by Frenchman Charles Lartigue) operated from 1888 to 1924 and carried passengers, livestock and freight. In this newsreel we can see how the monorail rides along supported A-shaped trestles. Footage from the roof of the train treats the viewer to footage inside the driver’s carriage as well as exciting shots of the train travelling directly towards camera. Passengers disembark and smile at camera and children wave from the carriages. The line was severely damaged during the Irish Civil War and closed in 1924. This footage, dated 1931, is presumably retrospective film before its closure. Today, visitors can visit The Lartigue Museum and experience a trip on a diesel-powered replica of the original monorail. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

14s

Gaol for a Kiss

This newsreel features a laughing Julia Clarke who fled Ireland after being sentenced to one month in gaol for kissing her boyfriend. Julia Clarke, from Glasgow, was sentenced by Dundalk Court for kissing her boyfriend on church property at Blackrock, Co. Louth. According to a news article at the time, ‘the local vigilance committee was shocked and the Dundalk Justices were so scandalised that, although Miss Clarke already had returned home to Glasgow, they passed the sentence “with a view to keeping her out of the country for ever”. Her unnamed boyfriend had already appeared before the Court and was ordered to pay a small fine. Ms. Clarke was the first woman sentenced under Eamon de Valera’s ‘Vice Act’. In this newsreel, she doesn’t appear too worried about the sentence. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

3m 39s

Wonderful Western Islanders

This short documentary depicts the lives of the inhabitants of the Aran Islands off the coast of Galway in 1924. The opening title notes: ‘Remote from civilisation, unique in custom, these hardy Arran (sic) islanders eke out an existence from barren and rock-bound soil’. This short film, made about ten years before Flaherty’s epic Man of Aran, is probably the earliest surviving film of the islands. It presents a multi-faceted portrait of island life showing locals going about their daily routines: cattle are tied to a curragh and rowed out to a waiting steamship; rowing islanders are photographed by visitors to the island; island men participate in the game of stone throwing (ag caitheamh cloch nirt). A breath-taking sequence shows 4 islandmen roped together and scaling a rugged cliff face. These men were known as cliffmen and may have been trying to catch birds or steal their eggs. While elders are busy battling the elements and rural life, some children express delight at the visiting camera. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic. Aran historian Dr Deirdre Ni Chonghaile has identified sequences on all three of the Aran Islands Inis Meáin, Inis Oírr and Inis Mór.