IFI Irish Film Archive
An advertisement for Valley Ice Cream, encouraging people to get their next ice cream pop from ‘the big red fridge’. Featuring all the favourites, including Choc Ice. Valley Ice Cream was based in Thurles, Co Tipperary, and closed in 1997.
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. Snakes and Ladders (1997), her debut feature, was one of the first Irish films directed by a woman about contemporary women’s lives, and she continued to position women squarely on screen with her ground-breaking documentary series, Hoodwinked: Irish Women Since the 1920s. Her interest in other artists is evident in her documentary profiles of Leo O’Kelly, Donal O’Kelly and Liu Xiabo. She has recently explored new modes of storytelling in her formally exciting short films Strangers to Kindness (2015) and Confinement (2019). We’re delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Trish approached the IFI Archive Player looking to discover some hidden gems showing an alternative Irish character. Her choices can be broken down into three eras: early representations of Ireland on film (1910s – 1920s); changing culture in Ireland (1950s – 1970s); and contemporary Irish filmmaking (1980s – 2000s). The wide-ranging selection, in her own words ‘not so much a tip of an iceberg, as a scattering within the iceberg,’ is free to watch on the IFI Archive Player anywhere in the world.
Nationalists from all over Ireland pay tribute to the memory of the late Mr. John Redmond who passed away March 6th 1918.in this newsreel. A portrait of Redmond can been seen on the wall of the cemetery on the corner of John’s Gate Street, Wexford Town. A procession of mourners gather in front of it and a procession of men on horseback ride past holding their hats to their chests.The final segment of this newsreel shows son of John Redmond, Captain William Redmond seen in a bowler hat, look over the crowd of people who have gathered at the Redmond monument at the square in Wexford town. John Edward Redmond was an Irish nationalist politician, barrister, and M.P. in the British House of Commons. He was best known as leader of the Irish Parliamentary Party (IPP) from 1900 until his death in 1918. He was also leader of the paramilitary organisation the Irish National Volunteers (INV).
Scenes of Polling stations at the Irish general election are shown in this newsreel, where the main issue being voted on was whether the country should remain as a Free State or become a full Republic – the goal of de Valera’s Fianna Fáil party. Crowds of people gather on Marlborough Street and Free state soldiers stand guard at the exterior of a polling station. Inside, men are seen distributing ballots as the count progresses. General Richard Mulcahy, Minister for Defence is returned. At Stephen’s Green Mrs Charlotte Despard, noted republican and suffragette stands and speaks to camera. Ms Despard was sister of former Viceroy Lord French and president of the Women’s Freedom League. Final intertitle introduces young Vivian (sic properly Vivion) de Valera, son of Eamon. Richard Mulcahy was an army general and commander-in-chief for the Irish Republican Army. He later served in the cabinets of W. T. Cosgrave and John A. Costello. He fought in the 1916 Easter Rising, served as Chief of Staff of the Irish Republican Army during the War of Independence and became commander of the pro-treaty forces in the Irish Civil War after the death of Michael Collins. The uniform of General Mulcahy’s from 1922 is currently held by the National Museum of Ireland.
Women in Focus is a curated selection of films by five wildly independent female amateur filmmakers: Margaret Currivan; Agnes Heron; Flora Kerrigan; Beres Laidlaw; and Sister Maureen MacMahon. Women's creative work has been under-reported and under-recognised and can be challenging to catalogue due to a lack of recorded primary information. This is exacerbated when dealing with amateur or non-professional filmmaking, where the work of individual women filmmakers has been even more invisible. In 2021, the IFI Film Archive acknowledged a limitation in the IFI Film Archive research resources and put a request out to academic partners to assist in developing new tools that would highlight the work of female filmmakers within the collection. This resulted in a collaborative research project that developed new approaches to cataloguing the creative contribution of women filmmakers in local, regional, and national archives. Funded by the Arts and Humanities Research Council and the Irish Research Council, as part of the UK-Ireland Digital Humanities scheme, the project is a UK-Ireland collaboration between the University of East Anglia, Maynooth University, and the University of Sussex, with the IFI Irish Film Archive and East Anglian Film Archive as archive partners. The project has resulted in the creation of a cataloguing toolkit that helps archives with moving image collections to create clear, relevant, and easily accessible records about female filmmakers. The work presented here formed case studies for the toolkit and was digitised by the IFI Irish Film Archive. A larger selection of films from the project will be made available on the IFI Archive Player in 2025.
Residents of rural Ireland reminisce on the joys and sorrows of phone boxes as they become obsolete in the modern world. When phone boxes were first introduced in Irish villages in the 1920s, there was stern competition between local businesses to have one installed outside their property. The phone box would assume a monumental role in many people’s lives allowing them to stay connected with loved ones and receive all sorts of important news. In Mayo, a couple celebrating their 50th anniversary credit the box for helping to keep their long-distance romance alive. In Donegal, a man laughingly recalls how two women became trapped inside one while trying to wait out a bad storm. A young man nervously calls a maternity hospital for news of his young wife. Although many of those interviewed admitted they do not use the service anymore, the phone box is a fondly remembered feature of Irish village life. This film is part of F-Rated: Short Films by Irish Women.