IFI Irish Film Archive
This newsreel is a compilation of events that happened in Ireland between 1916 and 1922. The order of the events is not presented sequentially but it gives a glimpse of the level of military presence and destruction in Ireland (predominantly Dublin city) during this time. The first segment shows British soldiers leaving Athlone Barracks following its takeover by General Sean MacEoin in the summer of 1922. Following this, soldiers are shown setting up barbed wire fences near City Hall, Dublin,and then in Dun Laoghaire horses are being groomed near Martello Tower. In the last segment, circa 1916, the devastating impact the Easter Rising had on O’Connell Street is shown, the destruction of many buildings can been seen as the camera slowly pans the main thoroughfare as pedestrians wander around the street. A shot of the first issue of ‘Irish War News’ can be seen, displaying the date April 25th 1916, this was printed in the GPO by Drogheda businessman Joe Stanley.
In this newsreel British Troops march through the streets of Dublin and stand guard over the ruins of buildings in Dublin’s main thoroughfare, Sackville Street (two years after these events the street would be renamed O’Connell Street after the nationalist leader Daniel O’Connell). The city of Dublin is in ruins and smoke continues to billow from the GPO, the Four Courts and the Metropole Hotel. Civilians stand on piles of rubble and observe the destruction far more closely than they would be allowed to today… This footage was first screened in public on May 6th 1916, just one week after the events of the Easter Rising (April 24th -29th ). The Easter Rising was an armed insurrection in Ireland during Easter Week, April 1916. The Rising was launched by Irish Republicans to end British rule in Ireland and to establish an independent Irish Republic while the United Kingdom was heavily engaged in the First World War. It was the most significant uprising in Ireland since the rebellion of 1798, and the first armed action of the Irish revolutionary period (which would ultimately lead to the creation of the Irish Free State).
Loopline Films is an independent production company established in 1992 by award-winning filmmaker Sé Merry Doyle. Since its foundation, Loopline has been at the heart of Irish independent broadcasting creating a wealth of important and diverse material on topics such as folklife, ethnology, architecture, art, literature and inner city life. The subjects explored by Loopline were chosen by Merry Doyle for their cultural and social importance. This first tranche of the Loopline Collection covers key areas of Irish history and arts, and contains a unique wealth of stunning images revealing everyday Irish society in urban settings. The focus of the filmmaker is on national identity in a changing world and Sé Merry Doyle set up Loopline Film with the specific intention of making creative documentaries that would endure and stand the test of time. The breadth of the collection is evident in the diversity of its content: The Folklife footage captures the last living moments of many traditional rural ways of life before mass production and consumerism led to their demise. The material covers traditional farming methods, boatbuilding, weaving, fishing, thatching, wheelwright, and spiritual customs. The collection contains a large quantity of urban material that chronicles the changing landscape of Dublin, its buildings and its citizen’s ways of life. The films include such historically resonant images as the clearance of slums, the closure of traditional markets, and tragic accounts of young teenagers dying from the heroin epidemic of the early 90’s. Portraits of artists, architects, writers and poets are also a cornerstone of the collection with riveting interviews with the very best artistic talent in the country. Patrick Kavanagh, John Montague, Hugh Leonard, James Gandon, Jennifer Johnston, Doris Lessing, John Henry Foley, Eavan Boland, Brendan Kennelly and Joseph O’Connor are but a fraction of those featured.
This newsreel from April 1916 shows the devastation caused to Dublin city center after the Easter Rising. From the destruction of Liberty Hall at Beresford Place to the collapsing buildings on O’Connell street this is one of the most eye opening newsreels from the Pathé collection highlighting the aftermath of the rebellion. The 1916 Easter Rising, also known as the Easter Rebellion, was an armed insurrection in Ireland during Easter Week, April 1916. The Rising was launched by Irish republicans to end British rule in Ireland and establish an independent Irish Republic while the United Kingdom was heavily engaged in the First World War. It was the most significant uprising in Ireland since the rebellion of 1798, and the first armed action of the Irish revolutionary period.
This newsreel shows British troops unpacking lorries at the docks (Possibly Dublin Port) and leaving Ireland, following the Anglo-Irish War. The interesting aspect of this footage is that it shows that British troops did not all leave immediately after the signing of The Treaty. Here they are departing in the middle of the Civil War in December 1922. Tim Healy, Veteran Irish Patriot, can be seen towards the end of the newsreel. Tim Healy was an Irish nationalist politician, journalist, author, barrister and one of the most controversial Irish Members of Parliament in the House of Commons of the United Kingdom and Ireland. His political career began in the 1880s under Charles Stewart Parnell’s leadership of the Irish Parliamentary Party, and continued into the 1920s, when he was the first Governor-General of the Irish Free State.
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. ‘Who needs a pregnant waitress?’ is just one of the questions that fills Ellie Connolly’s mind when she discovers she is pregnant in 1980s Ireland. Statistic was made by film student Alison Kelly in 1983, the year which saw the passing of the Eighth Amendment to the Constitution Act (which effectively criminalised abortion in most circumstances). Ellie (Edel McCrann) is pregnant as “the result of a drunken screw between two people who hardly knew each other”. She broods in her flat and discusses her predicament with her good friend Anne – she must tell her boyfriend Paul but she knows ’In the end it’s inside me, not him’. She finds information in a magazine about abortion services in the UK and Anne accompanies her to the ferry – following the footsteps of the many women before her. Statistic is invaluable as a contemporaneous response to events in 1983 – the film includes newspaper headlines and filmed sequences of pro and anti-abortion marches and dramatizes the plight of a young woman dealing with a crisis pregnancy. It is also a vivid record of the sights and sounds of Dublin in the 1980s - not least in the colourful cameos from mime artist Raymond Keane and indie band The Cuba Dares.