IFI Irish Film Archive
This newsreel shows the final journey for Terence Mac Swiney, who died in Brixton, England on October 25th 1920. His body arrives in Cork at Customs House Quay on October 31st (it was diverted from Dublin to avoid demonstrations). The coffin of Terence McSwiney arrives on the tugboat Mary Tavy into Cork's Custom House Quay. A procession of mourners fill Patrick Street as hordes of people turn up to show their respects. His brother Sean MacSwiney is seen walking alongside the coffin along with his other brother Peter, who is acting as pallbearer. His coffin is carried into the Cathedral of St Mary and St Anne and he is buried at St Finbarr’s Cemetery. Terence James MacSwiney was an Irish playwright, author and politician. He was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British on charges of sedition and imprisoned in Brixton Prison in England. His death there in October 1920 after 74 days on hunger strike brought him and the Irish struggle to international attention.
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. ‘Who needs a pregnant waitress?’ is just one of the questions that fills Ellie Connolly’s mind when she discovers she is pregnant in 1980s Ireland. Statistic was made by film student Alison Kelly in 1983, the year which saw the passing of the Eighth Amendment to the Constitution Act (which effectively criminalised abortion in most circumstances). Ellie (Edel McCrann) is pregnant as “the result of a drunken screw between two people who hardly knew each other”. She broods in her flat and discusses her predicament with her good friend Anne – she must tell her boyfriend Paul but she knows ’In the end it’s inside me, not him’. She finds information in a magazine about abortion services in the UK and Anne accompanies her to the ferry – following the footsteps of the many women before her. Statistic is invaluable as a contemporaneous response to events in 1983 – the film includes newspaper headlines and filmed sequences of pro and anti-abortion marches and dramatizes the plight of a young woman dealing with a crisis pregnancy. It is also a vivid record of the sights and sounds of Dublin in the 1980s - not least in the colourful cameos from mime artist Raymond Keane and indie band The Cuba Dares.
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. November 1961 and students from Trinity College marched the main streets of Dublin in protest at nuclear bomb testing. The Campaign for Nuclear Disarmament, CND, was established in the UK in 1958 in the wake of widespread fear of conflict and the effects of nuclear testing. CND quickly grew with branches in Scotland, Wales and Ireland. This newsreel recorded Irish student protesters as they marched in Dublin from St. Stephens Green to the Ambassador Theatre on O’Connell Street. Their placards demanded 'Ban the Bomb' and called for world peace. Produced by Gael Linn, Amharc Éireann (A View of Ireland) is Ireland’s longest-running indigenous newsreel series. It was distributed to cinemas throughout the country to promote the Irish language. The first 36 issues were produced as single-topic films which were released monthly, followed in 1959 by weekly, multi-story newsreels featuring a broad range of topics, from hard news stories to lighter magazine-style items. Between 1956 and 1964, 267 editions of the newsreel were produced for cinema exhibition. With kind permission of Gael Linn.
This Mermaid Films tribute documentary directed by Sé Merry Doyle explores the life and work of renowned Irish painter and architect Patrick Scott. Taking Scott’s major retrospective at the Hugh Lane Gallery in 2002 as a starting point, this lively account traces the artist’s childhood, his background in architecture and his many artistic achievements. Scott’s zest for life and humble reflections on the creative process accompany moving moments at home with his cat whilst working on his signature gold leaf paintings. A fascinating account of the 1950s bohemian art group the White Stag and contributions from Seamus Heaney, Stephen Pearce and Dorothy Walker enrich this celebration of the life and work of the ‘Golden Boy’ of Irish art. Patrick Scott: Golden Boy was produced by Maria Doyle Kennedy and Andrea Pitt, of Mermaid Films, and was commissioned by RTÉ Arts Lives. Patrick Scott was born in 1921 in Kilbrittain, Co Cork. He began his career as an architect where he worked with Michael Scott on CIE’s Busáras before committing to life as a full-time painter in the 1960s. He won a National Prize at the Guggenheim International Award in 1960 and represented Ireland at the Venice Biennale in the same year. His paintings have been exhibited worldwide and his work features in public and private collections.
In this newsreel the Ministry and members of the Republican Party who opposed the Treaty stand for the camera after contesting the policy of the Free State Party at the elections in 1922. On 14th January 1922 a meeting of the members elected to the House of Commons of Southern Ireland was held at the Mansion House, Dublin. At the meeting the Anglo-Irish Treaty was ratified by the Irish side and a Provisional Government was elected. Michael Collins was appointed its Chairman and the Provisional Government took up office two days later on January 16th 1922 when the British administration handed over Dublin Castle to Collins in person. The Treaty, which would replace the Republic as a dominion of the British Commonwealth, was signed on December 6th. De Valera was not happy with the signing of it as he had stipulated that regardless of the outcome the delegates should not be pressured into any agreements and should return to consult with the cabinet and him, their President. After the Treaty was narrowly ratified, de Valera and a large majority of Sinn Féin T.D.s left Dáil Éireann and Arthur Griffith was elected President.
This short film explores how the Grand Canal in Dublin has changed over the years. The voiceover provided by Irish novelist, short story writer and humourist John D. Sheridan, notes how methods of transport have changed and how fewer boats and barges now use the waterway. The aural memories are illustrated by poetic footage of the canal in the 1960s. The director, Margaret Currivan, won first prize for Up the Canal in the 'Film Shows Cup’ at the 1961 Dublin Amateur Cine Society competition (a competition predominantly entered by male filmmakers at the time). Margaret Currivan (b. 1923) was an avid amateur filmmaker, most prolific from 1954 to 1966. Currivan had a keen interest in photography and co-owned Currivan's Photographic Services in Dublin with her husband, Patrick Joseph (PJ). The shop processed and sold film, projectors, cameras and equipment and the filmmaker would, therefore, have had access to equipment, supplies and quick processing. Her films chronicle the story of her family, PJ and children Helen, Dan, and Paddy, engaged in key events including birthdays, Christmases and holidays. Currivan sometimes appears in her films, alluding to partial recording made by PJ. However, the shots are few and authorship is retained by Currivan who is noted to have also meticulously edited her films using a manual reel-to-reel device and splicer.