IFI Irish Film Archive
‘The day I don’t know who you are, promise to take me swimming’ – a melancholic promise between a husband and wife as her Alzheimer’s disease progresses. When Thady (Barry Ward) returns to his parents’ home for a neighbour’s wake, he is shocked by his mother’s decline (Olwen Fouéré, also seen in The Wake). Gone is the eloquent artist of the television interviews, and here now is a woman who has lost her capacity to carry out the most mundane tasks and spends her days in a local care centre. When he finds the crumpled promise in the pocket of an old dressing gown, the rest of his visit is spent bitterly resenting his mother’s condition and his father’s stoic acceptance. It is only when his mother goes missing in the middle of the night that he begins to understand how their love transcends her condition. Director Claire Dix and writer Ailbhe Keogan have since collaborated on the feature film Sunlight. This film is part of F-Rated: Short Films by Irish Women.
In this sound newsreel the Lord Major of Dublin, Alfred (Alfie) Byrne, discusses Anglo-Irish relations and the prospect of a United Ireland in this speech from 1936. Seated comfortably in an armchair in a garden and wearing his mayoral chain of office, Mayor Alfie Byrne assures Pathé Gazette viewers that there is no serious animosity between the North and South of Ireland and recommends removal of the border (which he refers to as a ‘festering sore’). He criticises the abusive political language of both unionists and republicans as, according to him, it ‘will not bring prosperity’, and finishes his speech by expressing his dream of a border-free Ireland in the near future. Alfred Byrne was a working politician who served ten times as Lord Mayor of Dublin. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
Large crowds gather on the streets of Dublin as Ireland’s first President, Dr. Douglas Hyde, is installed. This newsreel from 1938 depicts the military procession that leads Douglas Hyde past the Grand Central Cinema and the GPO on O’Connell Street, Dublin to the Phoenix Park where he is to be installed as President of Ireland. When he arrives at Áras an Uachtaráin he is greeted by Eamon de Valera, Prime Minister, and Seán T O’Kelly, Tánaiste who would succeed Hyde as President in 1945. Áras an Uachtaráin was built in 1751 in Phoenix Park, Dublin. It had been acquired for use by the Viceroys who oversaw British rule in Ireland until 1922 but became the President of Ireland’s official home in 1938. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
Irish playwright Thomas Kilroy was born in Limerick and through a career spanning fifty years, he has resisted fixed categories and boundaries in both his stagecraft and themes of his plays. This episode begins with a discussion about what interviewer Theo Dorgan refers to as a ‘double life’ – Kilroy’s role as a playwright and a Professor of English. This leads the conversation on to the theatre scene in Ireland in the 1960s, the start of a new generation of playwrights at the Abbey Theatre, and his experience working with Stephen Rea. Kilroy was involved with the Field Day Theatre Company but later left as he believed it should have been more politically focused. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.
The majestic Giant’s Causeway, Co. Antrim, takes centre stage in this film from the Pathetone Weekly cinemagazine from 1935. A man clambers on some of the 37,000 basalt rock columns as a narrator describes the location as one of the ‘wonders of the world’. Most of the rocks are hexagonal in shape but there is one octagonal rock is known as the Keystone . Good fortune awaits those who sit in the Wishing Chair or drink from the Wishing Well. The narrator tells the legend of how an Irish giant built the causeway while trying to get to Scotland to fight a rival. He then adds how ‘it is probably really formed by volcanic action’ and is “one of the most superb rock formations in the world”. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
John Montague was an Irish poet who was born in Brooklyn, New York, but grew up in Tyrone, Ireland. At the time this programme was made, Montague was Ireland Professor of Poetry at Trinity College, Dublin. In this generous interview, Montague reflects on studying in college where he discovered that ‘there were such things called poets’; living in France during World War II; encountering beat poetry in America; and returning to Cork in the early 1970s. Montague also examines his position as a poet and the 'melancholy' strain in his work. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.