IFI Irish Film Archive

Ocras

Year2006 Duration59m 55s ProducerBesom Productions

Made to mark the 25th anniversary of one of the most dramatic periods of Northern Ireland history when in 1981 ten men, including elected MP Bobby Sands, starved to death on hunger strike for the right to political status in prison. The events served as a unifying force for Irish nationalists and marked a watershed in the relationship between the British Government and Irish Republicans. The international standing of Margaret Thatcher was affected as condemnation of British intransigence ricocheted around the world. It brought Sinn Féin into electoral politics and greatly influenced their strong electoral position as the largest political party in Northern Ireland today. One of the most extreme protests in prison history is revealed through first-hand accounts of key protagonists and witnesses central to the events of that time. Ocras, made in the Irish language for TG4 in 2006, is similar to The Hunger Strike broadcast earlier that year on BBC Northern Ireland.

This Loopline documentary investigates the life and death of Mairéad Farrell who, in 1988, was shot dead by the SAS in Gibraltar along with two other unarmed members of the IRA. The violent killing of the three was one of the most controversial incidents during the Northern Ireland Troubles and provoked an international outcry. Bríona Nic Dhiarmada, who was writing a book about Farrell at the time of her death, now attempts to contextualise and make sense of her friend’s life and death. She visits Armagh Prison where Farrell was incarcerated and explores her legacy through rare audio interviews, personal memories and conversations with historians, politicians and peers. Due to her youth, her gender and her stature within the IRA, Farrell was quickly subsumed into the pantheon of Irish republican martyrs. However, behind the mythologising and demonisation of Farrell, there was also a real person who was prepared to kill and die for her beliefs.

5m 18s

Terence MacSwiney Laid to Rest

This newsreel shows the final journey for Terence Mac Swiney, who died in Brixton, England on October 25th 1920. His body arrives in Cork at Customs House Quay on October 31st (it was diverted from Dublin to avoid demonstrations). The coffin of Terence McSwiney arrives on the tugboat Mary Tavy into Cork's Custom House Quay. A procession of mourners fill Patrick Street as hordes of people turn up to show their respects. His brother Sean MacSwiney is seen walking alongside the coffin along with his other brother Peter, who is acting as pallbearer. His coffin is carried into the Cathedral of St Mary and St Anne and he is buried at St Finbarr’s Cemetery. Terence James MacSwiney was an Irish playwright, author and politician. He was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British on charges of sedition and imprisoned in Brixton Prison in England. His death there in October 1920 after 74 days on hunger strike brought him and the Irish struggle to international attention.

9m 31s

Lord Mayor of Cork Dead

Despite the opening intertitle which refers to activities on the streets of Cork, much of the footage here was filmed in London. The film documents the final journey of Terence Mac Swiney, Lord Mayor of Cork, who died on hunger strike in Brixton Prison on October 25th, 1920. MacSwiney's death was marked by three funeral processions - in London (seen here); in Dublin (where an empty coffin was carried through the streets of Dublin - not seen here) and in Cork where he was finally laid to rest. Opening sequence shows coffin carried by MacSwiney’s brother and others and being blessed by Archbishop Mannix of Melbourne before being placed in horse drawn hearse. Hearse travels through streets of London. Thousands line the streets. Members of the constabulary hold back throngs outside St George’s Cathedral, Southwark where thousands come to pay their respects. Scenes as members of the clergy arrive at Brixton prison. There are some scenes of the funeral procession through the streets of Cork. Terence James MacSwiney was an Irish playwright, author and politician. He was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British on charges of sedition and imprisoned in Brixton Prison in England. His death there in October 1920 after 74 days on hunger strike brought him and the Irish struggle to international attention.

1m 02s

Is it Peace?

October 11th 1921: London, and Sinn Féin delegates, including Arthur Griffith, arrive for the first formal peace negotiations at 10 Downing Street. In this newsreel, scenes of the Irish Embassy at 17 Grosvenor Place, London are shown, with the Irish Tricolour flag prominently placed above the main entrance. Crowds are seen kneeling and praying on the street outside and cheer with Flags as the delegates leave the Embassy and make their way to Downing street to discuss the Anglo-Irish Treaty. It’s interesting to note the strong presence of the Tricolour in this newsreel as the National flag. It was first presented as a gift to Ireland in 1848 by the French, representing the reconciliation between Protestant and Catholics. Following the events of the 1916 Rising it was locally accepted as the national flag but wasn’t until 1937 that this was made official under the Constitution of Ireland.

30m 47s

Statistic - Trish McAdam Filmmaker Playlist

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. ‘Who needs a pregnant waitress?’ is just one of the questions that fills Ellie Connolly’s mind when she discovers she is pregnant in 1980s Ireland. Statistic was made by film student Alison Kelly in 1983, the year which saw the passing of the Eighth Amendment to the Constitution Act (which effectively criminalised abortion in most circumstances). Ellie (Edel McCrann) is pregnant as “the result of a drunken screw between two people who hardly knew each other”.  She broods in her flat and discusses her predicament with her good friend Anne – she must tell her boyfriend Paul but she knows ’In the end it’s inside me, not him’.  She finds information in a magazine about abortion services in the UK and Anne accompanies her to the ferry – following the footsteps of the many women before her. Statistic is invaluable as a contemporaneous response to events in 1983 – the film includes newspaper headlines and filmed sequences of pro and anti-abortion marches and dramatizes the plight of a young woman dealing with a crisis pregnancy. It is also a vivid record of the sights and sounds of Dublin in the 1980s  - not least in the colourful cameos from mime artist Raymond Keane and indie band The Cuba Dares.

9m 35s

Housing Discrimination - Trish McAdam Filmmaker Playlist

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Shot in 1953, this film highlighted housing discrimination practiced by the unionist-controlled council in the town of Fintona in County Tyrone. It outlines the inequalities faced by the poorer, and usually nationalist, inhabitants, and details how new council houses are being given to unionist residents who are in less need of the houses than nationalists. It argues that the discrimination is motivated by the desire to maintain a majority of unionist voters in certain constituencies. Housing Discrimination was produced by the Information Division of the Irish Department of External Affairs (now the Department of Foreign Affairs) and was allegedly partly shot using a hidden camera. In 1954 it was distributed in Britain by the Anti-Partition League, which prompted the Northern Ireland provincial government to complain to the British government, asking it to lodge a complaint with the Irish government. The film is interesting for a number of reasons; its originator (effectively the Irish government), its subject matter (housing discrimination in Northern Ireland), its argument (discrimination represents a conspiracy against the people of Ireland by a ruling group acting in concert with the British government) and its language (virulently Irish nationalist and anti-British). With kind permission of the Department of Foreign Affairs.