IFI Irish Film Archive
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10m 00s
Late Afternoon
In this delicately rendered animation, Emily, an elderly woman with dementia, vividly relives her memories. Sitting comfortably in her armchair Emily (voiced by Fionnula Flanagan) takes a cup of tea and a biscuit when a simple mishap triggers a pleasant journey into the past. She swims through the memories of being a child on a beach, a young woman in a lover’s embrace and a young mother concerned for her little girl. Inspired by writer/director Louise Bagnall’s two grandmothers, this is a poignant celebration of ordinary lives. Late Afternoon is part of The Oscar® Collection: A Selection of Irish Academy Award® Nominated Short Films. It was nominated for an Academy Award® for Best Animated Short Film in 2019. A complementary behind-the-scenes video of Late Afternoon is also available as part of F-Rated: Short Films by Irish Women.
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15m 00s
The Drip
In 1985, two teenagers break into a cinema at night to watch the comical story of a woman waiting impatiently for her boyfriend to return home from the pub. The man’s actions cause utter chaos upon his return home to their apartment. Despite his inebriation he decides to climb, half-naked, out of bed and under the sink to fix a dripping tap. A curious cat surprises him with its attentions causing him to accidentally knock himself out. His long-suffering girlfriend calls an ambulance and, relieved to hear he’ll be alright in the morning, allows herself a little laugh as he is carried off still drunk, still naked, for a night in hospital. This idiosyncratic short film provided a vehicle for the fledgling directorial talents of Trish McAdam, and for a large and impressive cast of young actors including Jack Lynch, Pom Boyd, Mannix Flynn, and a young Aidan Gillen (as Aidan Murphy). This film is part of F-Rated: Short Films by Irish Women.
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7m 00s
Fall into Half-Angel
A documentary exploring the romantic and artistic relationship between two trapeze artists. Trapeze artists Ken Fanning and Tina Segner perform a series of breath-taking feats in the air as they reflect on their relationship and the profound physical and emotional trust that their partnership demands. This is not your traditional love story: boy meets girl; they fall in love with each other and with the trapeze; girl meets somebody else; trust is undermined. Following the break-up and an accidental fall, trust and emotions are tested. But the pair continue working closely together perfecting their act. Róisín Loughrey’s DLCAD graduate film delicately interweaves the frank reflections of the artists with Kate McCullough’s black and white cinematography (see more of McCullough’s work in Home). Fall into Half Angel won many awards and was screened at the Museum of Modern Art in New York. This film is part of F-Rated: Short Films by Irish Women.
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11m 00s
Rúbaí
‘God is everywhere, Rúbaí. Everyone knows that.’ – Despite her teacher’s declaration, eight-year-old Rúbaí challenges the existence of God in the days before her Holy Communion. When Rúbaí continues to challenge her teacher and announces to the visiting priest that she is an atheist, she provokes their frustration and leaves them speechless when she cites Charles Darwin as ‘a fella who makes sense’. Enigmatic scenes of this solitary child purposefully digging in the garden are intercut with scenes of her reluctant preparations with her mother for the Communion Day. Her mother is impatient with her classroom defiance and her preoccupation with evolution but ultimately understands what is driving her to behave this way. This film won many awards including Best Short at the Babel Film Festival in Sardinia. This film is part of F-Rated: Short Films by Irish Women.
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18m 00s
Small Change
Karen (Nora-Jane Noone), a young single mother in border town Newry, is numbed by routine and her mundane existence as a supermarket shelf stacker. Amusement arcade slot machines have become her secret thrill and addiction. Her eight-year-old daughter Laura (Tina Maxwell) dreams of Christmas presents and sunny exotic family holidays, adding further pressure to Karen’s struggle to cope. As Karen’s close relationships begin to fracture, her decisions become more irrational. With Christmas looming, a desperate hope for a big win sees her life spiral out of control. Cathy Brady has mastered the art of the short film form. Small Change, like her other films, captures a fully realised character in crisis, and positions her within a wholly convincing, humdrum world. Brady’s collaboration with Nora-Jane Noone continues in her debut feature Wildfire. This film is part of F-Rated: Short Films by Irish Women.
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15m 00s
Bye Bye Now
Residents of rural Ireland reminisce on the joys and sorrows of phone boxes as they become obsolete in the modern world. When phone boxes were first introduced in Irish villages in the 1920s, there was stern competition between local businesses to have one installed outside their property. The phone box would assume a monumental role in many people’s lives allowing them to stay connected with loved ones and receive all sorts of important news. In Mayo, a couple celebrating their 50th anniversary credit the box for helping to keep their long-distance romance alive. In Donegal, a man laughingly recalls how two women became trapped inside one while trying to wait out a bad storm. A young man nervously calls a maternity hospital for news of his young wife. Although many of those interviewed admitted they do not use the service anymore, the phone box is a fondly remembered feature of Irish village life. This film is part of F-Rated: Short Films by Irish Women.