Irish Film Institute
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IFI Irish Film Archive

Joyce’s Dublin

Year1966 Duration18m 32s
Directed by Mike O’Connor, and written by his brother, Joycean scholar Ulick O’Connor, this documentary portrays the Dublin in which Joyce lived and worked before his departure for Europe in 1904. Narrated by Micheál MacLiammóir, Joyce’s writing is woven through the scenes as significant locations from his life are revealed: the house in Brighton Square where he was born; Clongowes Wood College where he was educated; Sandymount Strand where he often wandered; derelict tenements once housing the brothels he frequented; and the Martello Tower where he visited with Oliver St John Gogarty.

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1h 10m

Patrick Scott: Golden Boy

This Mermaid Films tribute documentary directed by Sé Merry Doyle explores the life and work of renowned Irish painter and architect Patrick Scott. Taking Scott’s major retrospective at the Hugh Lane Gallery in 2002 as a starting point, this lively account traces the artist’s childhood, his background in architecture and his many artistic achievements. Scott’s zest for life and humble reflections on the creative process accompany moving moments at home with his cat whilst working on his signature gold leaf paintings. A fascinating account of the 1950s bohemian art group the White Stag and contributions from  Seamus Heaney, Stephen Pearce and Dorothy Walker enrich this celebration of the life and work of the ‘Golden Boy’ of Irish art. Patrick Scott: Golden Boy was produced by Maria Doyle Kennedy and Andrea Pitt, of Mermaid Films, and was commissioned by RTÉ Arts Lives. Patrick Scott was born in 1921 in Kilbrittain, Co Cork. He began his career as an architect where he worked with Michael Scott on CIE’s Busáras before committing to life as a full-time painter in the 1960s. He won a National Prize at the Guggenheim International Award in 1960 and represented Ireland at the  Venice Biennale in the same year. His paintings have been exhibited worldwide and his work features in public and private collections.

30m 00s

Michael Longley - Imprint: Writer in Profile

Irish poet Michael Longley was born in Belfast in 1939. In this episode, Longley discusses growing up in Northern Ireland where he wrote his first poems at sixteen to impress a girl he fancied. He then leads us to life in Trinity College, Dublin, his friendships with Derek Mahon and  Brendan Kennelly and the effects the Northern Ireland conflict had on his writing. He openly discusses the creative act of writing – poetry as human expression, its bravery, and its roots ‘in song and dance, in spell and in curse and in prayer’. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.

7m 04s

Republican Loans

In 1919, on the block where Robert Emmet was executed, Michael Collins read a letter from Michael Fogarty, Bishop of Killaloe, pledging financial support to the new self-declared Irish Republic. Filmed at St. Enda’s College in Rathfarnham, (the school founded by Patrick Pearse in 1908), this remarkable film shows Michael Collins, the Irish Government’s Minister for Finance, inviting various prominent Republicans to purchase bonds to help finance the new Republic. Bonds are purchased by 30 named figures, Republicans and survivors of executed 1916 leaders. They include: Arthur Griffith; Eoin MacNeill; Erskine Childers; William Cosgrave; the widows of Eamonn Ceannt, Tom Clarke, the O Rahilly, Joseph Plunkett, and the mother and sister of Patrick Pearse. The film was made during an interlude in the making of Willy Reilly and his Colleen Bawn, a feature- length drama directed by John MacDonagh, which was released the following year. The film played an instrumental role in the success of the Republican Loans campaign. Director John MacDonagh, brother of the executed 1916 leader Thomas MacDonagh (a teacher in St Enda’s) , once said, “in those dangerous and exciting times, no cinema owner would dare risk exhibiting the Republican Loans film so it was planned for a few volunteers in fast cars to visit certain cinemas, rush the operator’s box, and, at gun-point, force the operator to take off the film he was showing, and put on the Loan film”.

13m 02s

Roll 21: Achill, 1969

Roll 21: Achill, 1969 is a visually engaging film which depicts scenery and panoramas of Achill Island, County Mayo. Cinematic footage of waterfalls, forests, cliffs, fishermen on a beach, and a 1960s church near Letterfrack, County Galway, are included. The filmmaker's keen interest in framing and narrative techniques is evident. Shots of a friend driving her car through picturesque landscapes are later followed by similar views, this time filmed from inside of the car. Agnes Heron (d. 2002), born in Glasgow, Scotland, lived and worked in Dublin for most of her life. She was a chartered accountant and a partner in an electrical contract firm on Abbey Street until the 1970s. She was a skilled embroider, having possibly learnt the craft of embroidery from former Taoiseach Charles Haughey's mother, Sarah McWilliams Haughey. Very little is known about Heron’s life but, from her films, we can see her role as documentarian of numerous community and religious events in Ireland. Heron died in Dublin in her 80’s in 2002.

30m 00s

Colm Tóibín - Imprint: Writer in Profile

Irish novelist, short story writer and journalist Colm Tóibín talks to Theo Dorgan about his early childhood in Enniscorthy, his early poetry writing and studying at University College Dublin. Tóibín lived in Barcelona between 1975 and 1978 and explains how this experience of Spanish life, gothic architecture, and the death of Franco shaped his work. When he returned to Ireland, he worked as a journalist and editor of Magill recalling the immense drive of Irish journalism at the time and his experience working with Vincent Browne, Mary Rafferty and Fintan O’Toole. He describes the act of writing as a pleasant ‘ordeal’ and Dorgan asks about the political undertones and autobiographical nature of his work. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.

30m 00s

Gore Vidal - Imprint: Writers in Profile

This episode of Writers in Profile features the novelist, playwright, screenwriter and essayist, Gore Vidal. We gain a glimpse of Vidal’s early childhood, the controversy around his novel The City and the Pillar, and his experience writing scripts for films such as Ben Hur (1959). A desire to dissect the roots of American society has spurred him to coax readers to revise their sense of reality. Vidal believes this work can be divided into two kinds of novel – the first is built from reflections of history and the others are ‘fictive inventions’. The Big Bang theory and reincarnation are explored, and Vidal expresses how ‘very lucky’ he has been in life and work. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.