IFI Irish Film Archive

Ireland in Spring

Year1957 Duration25m 58s ProducerBord Fáilte Eireann

Ireland is beautiful all-year-round but spring is when it really blossoms. Produced by Colm O’ Laoghaire (director of the Amharc Éireann newsreels for Gael-Linn) this film is a celebration of all things Irish and a delightful window on 1950s Eire. The film focuses on An Tóstal (Irish for “The Pageant”) which was a series of festivals and events established in 1953 to celebrate Irish culture and draw more tourists to the country. The wealth of events and happenings the country are shown. In Dublin President Sean T. O’Kelly launches a parade featuring flower-festooned floats from Aer Lingus while outside The Pale we see Gaelic football and hurling, fly fishing in Lough Corrib, and a traditional music festival in Ennis. The film was produced in 1957 for Bord Failte Éireann and released in 1958. An Tóstal events were hosted around the country from 1953 until 1958 when they ended everywhere except in Drumshanbo in Co Leitrim where an annual festival still takes place today. The local pride engendered by An Tostal inspired annual clean-up plans which were formalised into the National Tidy Towns Award, which is still going strong.

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. November 1961 and students from Trinity College marched the main streets of Dublin in protest at nuclear bomb testing. The Campaign for Nuclear Disarmament, CND, was established in the UK in 1958 in the wake of widespread fear of conflict and the effects of nuclear testing. CND quickly grew with branches in Scotland, Wales and Ireland. This newsreel recorded Irish student protesters as they marched in Dublin from St. Stephens Green to the Ambassador Theatre on O’Connell Street. Their placards demanded 'Ban the Bomb' and called for world peace. Produced by Gael Linn, Amharc Éireann (A View of Ireland) is Ireland’s longest-running indigenous newsreel series. It was distributed to cinemas throughout the country to promote the Irish language. The first 36 issues were produced as single-topic films which were released monthly, followed in 1959 by weekly, multi-story newsreels featuring a broad range of topics, from hard news stories to lighter magazine-style items. Between 1956 and 1964, 267 editions of the newsreel were produced for cinema exhibition. With kind permission of Gael Linn.

35s

President of Éire

Large crowds gather on the streets of Dublin as Ireland’s first President, Dr. Douglas Hyde, is installed. This newsreel from 1938 depicts the military procession that leads Douglas Hyde past the Grand Central Cinema and the GPO on O’Connell Street, Dublin to the Phoenix Park where he is to be installed as President of Ireland. When he arrives at Áras an Uachtaráin he is greeted by Eamon de Valera, Prime Minister, and Seán T O’Kelly, Tánaiste who would succeed Hyde as President in 1945. Áras an Uachtaráin was built in 1751 in Phoenix Park, Dublin. It had been acquired for use by the Viceroys who oversaw British rule in Ireland until 1922 but became the President of Ireland’s official home in 1938. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

2m 17s

A Million People Kneel in Worship

The Eucharistic Congress, one of the largest public events to ever take place in Ireland, occurred between the 22nd and 26th of June 1932. As part of the 31st Congress clergy and lay people from all over the world came to celebrate the ‘Holy Eucharist’ in Dublin. The vast scale of the final Congress mass was filmed by many Irish and international filmmakers and newsagencies and showcased the piety of the Irish people. A large crowd gather to pray at Phoenix Park, Dublin, as Michael Joseph Curley, Archbishop of Baltimore begins a mass service. At O’Connell Bridge, on a specially erected altar, Papal Legate, Cardinal Lauri gives benediction. O’Connell Street is thronged with people and political figures Éamon de Valera, newly elected president of the executive council, and Minister Seán T. O’Kelly join the devotions. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

2m 30s

Ennis

A study of the sleepy village of Ennis, Co. Clare, in the 1940s and how Shannon Airport affected daily life in the locality. While Pathé’s lens focuses on primitive thatched cottages, a narrator describes how Ennis ‘clings to the old ways of life’. A young boy fills a bucket from a street pump and the voiceover tells how ‘water for a wash or a drink still means a long walk for someone’. Shannon Airport is only sixteen miles away and the locals have noticed a change. Cars, once a rare sight in the village, now ‘disturb the peace and quiet’ and hold up traffic on narrow country lanes. 23-year-old hotelier Josette O’Regan, however, anticipated the rise of footfall and marketed The Old Ground Hotel to tourists and airlines. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

3m 17s

The Loopline Collection Featurette

Loopline Films is an independent production company established in 1992 by award-winning filmmaker Sé Merry Doyle. Since its foundation, Loopline has been at the heart of Irish independent broadcasting creating a wealth of important and diverse material on topics such as folklife, ethnology, architecture, art, literature and inner city life. The subjects explored by Loopline were chosen by Merry Doyle for their cultural and social importance. This first tranche of the Loopline Collection covers key areas of Irish history and arts, and contains a unique wealth of stunning images revealing everyday Irish society in urban settings. The focus of the filmmaker is on national identity in a changing world and Sé Merry Doyle set up Loopline Film with the specific intention of making creative documentaries that would endure and stand the test of time. The breadth of the collection is evident in the diversity of its content: The Folklife footage captures the last living moments of many traditional rural ways of life before mass production and consumerism led to their demise. The material covers traditional farming methods, boatbuilding, weaving, fishing, thatching, wheelwright, and spiritual customs. The collection contains a large quantity of urban material that chronicles the changing landscape of Dublin, its buildings and its citizen’s ways of life. The films include such historically resonant images as the clearance of slums, the closure of traditional markets, and tragic accounts of young teenagers dying from the heroin epidemic of the early 90’s. Portraits of artists, architects, writers and poets are also a cornerstone of the collection with riveting interviews with the very best artistic talent in the country. Patrick Kavanagh, John Montague, Hugh Leonard, James Gandon, Jennifer Johnston, Doris Lessing, John Henry Foley, Eavan Boland, Brendan Kennelly and Joseph O’Connor are but a fraction of those featured.

1h 10m

Patrick Scott: Golden Boy

This Mermaid Films tribute documentary directed by Sé Merry Doyle explores the life and work of renowned Irish painter and architect Patrick Scott. Taking Scott’s major retrospective at the Hugh Lane Gallery in 2002 as a starting point, this lively account traces the artist’s childhood, his background in architecture and his many artistic achievements. Scott’s zest for life and humble reflections on the creative process accompany moving moments at home with his cat whilst working on his signature gold leaf paintings. A fascinating account of the 1950s bohemian art group the White Stag and contributions from Seamus Heaney, Stephen Pearce and Dorothy Walker enrich this celebration of the life and work of the ‘Golden Boy’ of Irish art. Patrick Scott: Golden Boy was produced by Maria Doyle Kennedy and Andrea Pitt, of Mermaid Films, and was commissioned by RTÉ Arts Lives. Patrick Scott was born in 1921 in Kilbrittain, Co Cork. He began his career as an architect where he worked with Michael Scott on CIE’s Busáras before committing to life as a full-time painter in the 1960s. He won a National Prize at the Guggenheim International Award in 1960 and represented Ireland at the Venice Biennale in the same year. His paintings have been exhibited worldwide and his work features in public and private collections.