IFI Irish Film Archive
In The City
Duration47s
An advert in which two men appear unimpressed by Dublin, until they find a pub selling Guinness.
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Dublin Rebellion
In this newsreel British Troops march through the streets of Dublin and stand guard over the ruins of buildings in Dublin’s main thoroughfare, Sackville Street (two years after these events the street would be renamed O’Connell Street after the nationalist leader Daniel O’Connell). The city of Dublin is in ruins and smoke continues to billow from the GPO, the Four Courts and the Metropole Hotel. Civilians stand on piles of rubble and observe the destruction far more closely than they would be allowed to today… This footage was first screened in public on May 6th 1916, just one week after the events of the Easter Rising (April 24th -29th ). The Easter Rising was an armed insurrection in Ireland during Easter Week, April 1916. The Rising was launched by Irish Republicans to end British rule in Ireland and to establish an independent Irish Republic while the United Kingdom was heavily engaged in the First World War. It was the most significant uprising in Ireland since the rebellion of 1798, and the first armed action of the Irish revolutionary period (which would ultimately lead to the creation of the Irish Free State).
Island
The Irish-speaking customers of an isolated pub on a remote western island wait patiently for a delivery of Guinness, until finally the keg-filled currach is spotted. This well-known advert won a Clio award in New York for Arks Advertising in 1978, a Silver Cannes Lion and further awards from the Advertising Awards Festival, ICAD and Rank Screen Awards. Subtitles kindly provided by Báirbre Dolan and Saidhbh Ní Dhúlaing.
Missing Green
A solitary woman walks through the eerie night-time landscape of Dublin’s Cork Street, a street once quiet and residential, now a four-laned artery for city traffic. Cork Street, as described by the narrators Councillor John Gallagher, architect Gerry Cahill, journalist Frank McDonald and sociologist Aileen O’Gorman, used to be a much better place to live than it is today. Gone are the days when people could easily cross the road to visit neighbours or children could safely play on the street. Urban planners carved out this four-laned artery to connect the city with its outlying suburbs. Furthermore, a decision to fence off open spaces in an attempt to prevent anti-social behaviour , succeeded only in promoting social isolation for the residents who still call Cork Street home. The isolation is embodied in the character of a young woman (actor Niamh Algar, nominated for a BAFTA for 2019’s Calm with Horses) who walks through the deserted urban landscape as memories are narrated which no longer match the present-day surroundings. This film is part of F-Rated: Short Films by Irish Women.
The Great Cork Treaty
This newsreel records Michael Collins addresses an audience gathered at the Grand Parade in Cork City, praising the Anglo-Irish Treaty, and receiving an enthusiastic reception. It’s not too long before the crowd is seen surging backwards as several men begin to fire their guns in the crowd. Michael Collins described the Treaty as “the freedom to achieve freedom”. In practice,, the Treaty offered most of the symbols and powers of independence. These included a functioning, if disputed, parliamentary democracy with its own executive, judiciary and written constitution which could be changed by the Oireachtas. Although a Republic was not an option at the time, the Treaty still afforded Ireland more internal independence than it had possessed in over 400 years, and far exceeded the most optimistic goals of the Home Rule movement.
Michael Collins
“Our Cameraman was there”. Michael Collins endorses the Anglo-Irish Treaty to an audience gathered at the Grand Parade in Cork City, where he receives an enthusiastic reception. It’s not too long before the crowd is seen surging backwards as several men begin to fire their guns in the crowd. This is the same footage that’s featured in “The Great Cork Treaty” newsreel. Michael Collins described The Treaty as “the freedom to achieve freedom”. In practice, The Treaty offered most of the symbols and powers of independence. These included a functioning, if disputed, parliamentary democracy with its own executive, judiciary and a written constitution which could be changed by the Oireachtas. Although a Republic was not an option at the time, The Treaty still afforded Ireland more internal independence than it had possessed in over 400 years, and far exceeded the most optimistic goals of the Home Rule movement.
City of Terror
In this compilation newsreel from 1920, we see the first pictures from Derry , soldiers on the streets during the War of Independence. “The aftermath” intertitle shows us the devastation the Civil War had on Dublin, showing the many shelled and gutted buildings, many of which can be seen being pulled down by workers to avoid them from collapsing on someone. Michael Collins can then be seen, in footage that appears to be from 1921, giving a speech to a large crowd of people outside the Mansion House in Dublin following the signing of the Anglo Irish Peace Treaty. The final segment is of Rory O’Connor, an Irish Republican activist, seen giving a speech to the Dublin City Brigade at Smithfield, April 1922.