IFI Irish Film Archive
Guinness Pouring Machine
Duration41s
A pub-goer demonstrates his latest invention of a Guinness-pouring machine to friends, much to their amusement and dismay.
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The Drip
In 1985, two teenagers break into a cinema at night to watch the comical story of a woman waiting impatiently for her boyfriend to return home from the pub. The man’s actions cause utter chaos upon his return home to their apartment. Despite his inebriation he decides to climb, half-naked, out of bed and under the sink to fix a dripping tap. A curious cat surprises him with its attentions causing him to accidentally knock himself out. His long-suffering girlfriend calls an ambulance and, relieved to hear he’ll be alright in the morning, allows herself a little laugh as he is carried off still drunk, still naked, for a night in hospital. This idiosyncratic short film provided a vehicle for the fledgling directorial talents of Trish McAdam, and for a large and impressive cast of young actors including Jack Lynch, Pom Boyd, Mannix Flynn, and a young Aidan Gillen (as Aidan Murphy). This film is part of F-Rated: Short Films by Irish Women.
Lawless Ireland
In the middle of the night on Monday September 21st 1920 the Black and Tans sacked the town of Balbriggan in County Dublin. The sacking was revenge for the killing of District Inspector Burke and his brother Sergeant Burke, who were shot dead by the IRA while in Smyth’s pub, Balbriggan earlier in the day. In this newsreel, houses and cottages are shown burnt out or demolished entirely and residents can be seen being evacuated, walking down the street with their belongings in hand. The event caused debate in the British Parliament with H. H. Asquith, the former Prime Minister and then leader of the opposition, comparing Balbriggan to a Belgian town on the frontier during World War I.
Lord Mayor of Cork Dead
Despite the opening intertitle which refers to activities on the streets of Cork, much of the footage here was filmed in London. The film documents the final journey of Terence Mac Swiney, Lord Mayor of Cork, who died on hunger strike in Brixton Prison on October 25th, 1920. MacSwiney's death was marked by three funeral processions - in London (seen here); in Dublin (where an empty coffin was carried through the streets of Dublin - not seen here) and in Cork where he was finally laid to rest. Opening sequence shows coffin carried by MacSwiney’s brother and others and being blessed by Archbishop Mannix of Melbourne before being placed in horse drawn hearse. Hearse travels through streets of London. Thousands line the streets. Members of the constabulary hold back throngs outside St George’s Cathedral, Southwark where thousands come to pay their respects. Scenes as members of the clergy arrive at Brixton prison. There are some scenes of the funeral procession through the streets of Cork. Terence James MacSwiney was an Irish playwright, author and politician. He was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British on charges of sedition and imprisoned in Brixton Prison in England. His death there in October 1920 after 74 days on hunger strike brought him and the Irish struggle to international attention.
Bye Bye Now
Residents of rural Ireland reminisce on the joys and sorrows of phone boxes as they become obsolete in the modern world. When phone boxes were first introduced in Irish villages in the 1920s, there was stern competition between local businesses to have one installed outside their property. The phone box would assume a monumental role in many people’s lives allowing them to stay connected with loved ones and receive all sorts of important news. In Mayo, a couple celebrating their 50th anniversary credit the box for helping to keep their long-distance romance alive. In Donegal, a man laughingly recalls how two women became trapped inside one while trying to wait out a bad storm. A young man nervously calls a maternity hospital for news of his young wife. Although many of those interviewed admitted they do not use the service anymore, the phone box is a fondly remembered feature of Irish village life. This film is part of F-Rated: Short Films by Irish Women.
Take Me Swimming
‘The day I don’t know who you are, promise to take me swimming’ – a melancholic promise between a husband and wife as her Alzheimer’s disease progresses. When Thady (Barry Ward) returns to his parents’ home for a neighbour’s wake, he is shocked by his mother’s decline (Olwen Fouéré, also seen in The Wake). Gone is the eloquent artist of the television interviews, and here now is a woman who has lost her capacity to carry out the most mundane tasks and spends her days in a local care centre. When he finds the crumpled promise in the pocket of an old dressing gown, the rest of his visit is spent bitterly resenting his mother’s condition and his father’s stoic acceptance. It is only when his mother goes missing in the middle of the night that he begins to understand how their love transcends her condition. Director Claire Dix and writer Ailbhe Keogan have since collaborated on the feature film Sunlight. This film is part of F-Rated: Short Films by Irish Women.
Gore Vidal - Imprint: Writers in Profile
This episode of Writers in Profile features the novelist, playwright, screenwriter and essayist, Gore Vidal. We gain a glimpse of Vidal’s early childhood, the controversy around his novel The City and the Pillar, and his experience writing scripts for films such as Ben Hur (1959). A desire to dissect the roots of American society has spurred him to coax readers to revise their sense of reality. Vidal believes this work can be divided into two kinds of novel – the first is built from reflections of history and the others are ‘fictive inventions’. The Big Bang theory and reincarnation are explored, and Vidal expresses how ‘very lucky’ he has been in life and work. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.