IFI Irish Film Archive
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14m 31s
Come Back to Erin - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Only one reel of this three-reel film has survived the ravages of time and so the tale is incomplete – but worth watching nonetheless. In this transatlantic tale, feisty young Peggy O’Malley (Gene Gauntier) refuses her father's orders to marry Jerry, the village blacksmith and runs away to New York City via steam-liner. Upon landing in New York she gets a job working as a parlour maid in the home of wealthy Mrs Mortimer. The film includes striking documentary-like elements in scenes set in Ireland – at the cattle market in Killarney and scenes of the emigrant ship leaving Queenstown (now Cobh) for America. This is all that survives of the film. Contemporaneous reviews fill in the remaining story : It’s not long before Peggy falls into a bad crowd and soon finds herself arrested for a crime she didn’t commit. With the news of Peggy’s arrest having made its way back home, will her blacksmith in shining armour come to save her from her wrongful imprisonment and take her back to Ireland? A single reel of this 3 reel film was discovered in the Museum of Modern Art following research by IFI in preparation for a major retrospective of Irish cinema in MOMA in 2011.
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2m 17s
A Million People Kneel in Worship
The Eucharistic Congress, one of the largest public events to ever take place in Ireland, occurred between the 22nd and 26th of June 1932. As part of the 31st Congress clergy and lay people from all over the world came to celebrate the ‘Holy Eucharist’ in Dublin. The vast scale of the final Congress mass was filmed by many Irish and international filmmakers and newsagencies and showcased the piety of the Irish people. A large crowd gather to pray at Phoenix Park, Dublin, as Michael Joseph Curley, Archbishop of Baltimore begins a mass service. At O’Connell Bridge, on a specially erected altar, Papal Legate, Cardinal Lauri gives benediction. O’Connell Street is thronged with people and political figures Éamon de Valera, newly elected president of the executive council, and Minister Seán T. O’Kelly join the devotions. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
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6m 20s
Dublin Rebellion
In this newsreel British Troops march through the streets of Dublin and stand guard over the ruins of buildings in Dublin’s main thoroughfare, Sackville Street (two years after these events the street would be renamed O’Connell Street after the nationalist leader Daniel O’Connell). The city of Dublin is in ruins and smoke continues to billow from the GPO, the Four Courts and the Metropole Hotel. Civilians stand on piles of rubble and observe the destruction far more closely than they would be allowed to today… This footage was first screened in public on May 6th 1916, just one week after the events of the Easter Rising (April 24th -29th ). The Easter Rising was an armed insurrection in Ireland during Easter Week, April 1916. The Rising was launched by Irish Republicans to end British rule in Ireland and to establish an independent Irish Republic while the United Kingdom was heavily engaged in the First World War. It was the most significant uprising in Ireland since the rebellion of 1798, and the first armed action of the Irish revolutionary period (which would ultimately lead to the creation of the Irish Free State).
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3m 53s
Irish Republic Proclaimed
This newsreel shows enthusiastic celebrations on the streets of Dublin as legislation creating the Irish Republic is passed. On 18th April 1949, The Republic of Ireland Act came into force. It declared that Ireland may officially be described as the Republic of Ireland and that the President of Ireland had the executive authority of the state in its external relations. This momentous event in Irish history is documented in this newsreel from with a collection of dignitaries including President Seán T O’Kelly and his wife, Lord Mayor of Dublin John Breen, Maud Gonne and Éamon de Valera, arriving at St. Mary’s Pro-Cathedral Dublin, for the ceremony. Crowds of people gather on O’Connell Street as the Irish Republic flag is hoisted and a salute is fired on top of the GPO. Celebrations continue as the Irish Army march by, along with Irish pipers, howitzers and armoured cars. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
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2m 04s
Sinn Féin Rising Liberty Hall Part 1
This newsreel from April 1916 shows the devastation caused to Dublin city center after the Easter Rising. From the destruction of Liberty Hall at Beresford Place to the collapsing buildings on O’Connell street this is one of the most eye opening newsreels from the Pathé collection highlighting the aftermath of the rebellion. The 1916 Easter Rising, also known as the Easter Rebellion, was an armed insurrection in Ireland during Easter Week, April 1916. The Rising was launched by Irish republicans to end British rule in Ireland and establish an independent Irish Republic while the United Kingdom was heavily engaged in the First World War. It was the most significant uprising in Ireland since the rebellion of 1798, and the first armed action of the Irish revolutionary period.
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1m 04s
Women in Focus
Women in Focus is a curated selection of films by five wildly independent female amateur filmmakers: Margaret Currivan; Agnes Heron; Flora Kerrigan; Beres Laidlaw; and Sister Maureen MacMahon. Women's creative work has been under-reported and under-recognised and can be challenging to catalogue due to a lack of recorded primary information. This is exacerbated when dealing with amateur or non-professional filmmaking, where the work of individual women filmmakers has been even more invisible. In 2021, the IFI Film Archive acknowledged a limitation in the IFI Film Archive research resources and put a request out to academic partners to assist in developing new tools that would highlight the work of female filmmakers within the collection. This resulted in a collaborative research project that developed new approaches to cataloguing the creative contribution of women filmmakers in local, regional, and national archives. Funded by the Arts and Humanities Research Council and the Irish Research Council, as part of the UK-Ireland Digital Humanities scheme, the project is a UK-Ireland collaboration between the University of East Anglia, Maynooth University, and the University of Sussex, with the IFI Irish Film Archive and East Anglian Film Archive as archive partners. The project has resulted in the creation of a cataloguing toolkit that helps archives with moving image collections to create clear, relevant, and easily accessible records about female filmmakers. The work presented here formed case studies for the toolkit and was digitised by the IFI Irish Film Archive. A larger selection of films from the project will be made available on the IFI Archive Player in 2025.