IFI Irish Film Archive
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. November 1961 and students from Trinity College marched the main streets of Dublin in protest at nuclear bomb testing. The Campaign for Nuclear Disarmament, CND, was established in the UK in 1958 in the wake of widespread fear of conflict and the effects of nuclear testing. CND quickly grew with branches in Scotland, Wales and Ireland. This newsreel recorded Irish student protesters as they marched in Dublin from St. Stephens Green to the Ambassador Theatre on O’Connell Street. Their placards demanded 'Ban the Bomb' and called for world peace. Produced by Gael Linn, Amharc Éireann (A View of Ireland) is Ireland’s longest-running indigenous newsreel series. It was distributed to cinemas throughout the country to promote the Irish language. The first 36 issues were produced as single-topic films which were released monthly, followed in 1959 by weekly, multi-story newsreels featuring a broad range of topics, from hard news stories to lighter magazine-style items. Between 1956 and 1964, 267 editions of the newsreel were produced for cinema exhibition. With kind permission of Gael Linn.
This newsreel shows a huge crowd filling the streets of Dublin to welcome Countess Constance Markievicz back after her release from prison. Markievicz is seen standing in a car and waves as is it drives down Westland Row and Brunswick Street, flanked by a mass of people parading alongside her in celebration of her return. Constance Markievicz, known as Countess Markievicz, was an Irish Sinn Féin and Fianna Fáil politician, revolutionary nationalist, suffragette and socialist. A founder member of Fianna Éireann, Cumann na mBan and the Irish Citizen Army, she took part in the Easter Rebellion of 1916where she received a death sentence, but was given amnesty in June 1917 and returned to Ireland the same month.
In this newsreel from December 1921, Éamon de Valera and Cathal Brugha are shown sitting in a car following their rejection of the Peace Treaty. De Valera had famously not attended the negotiations himself in London but rather chose to stay in Ireland (as he would be better able to control the extremists at home). The Irish delegates who chose to attend the negotiations were Arthur Griffith, Robert Barton and Michael Collins supported by Robert Erskine Childers as Secretary General. The Treaty, which would replace the Republic by a dominion of the British Commonwealth, was signed on December 6th. De Valera was not happy with the signing of it as he had stipulated that regardless of the outcome the delegates should not be pressured into any agreements and should return to consult with the cabinet and him, their President. After The Treaty was narrowly ratified, de Valera and a large majority of Sinn Féin T.D.s left Dáil Éireann and Arthur Griffith was elected President.
In this newsreel the Ministry and members of the Republican Party who opposed the Treaty stand for the camera after contesting the policy of the Free State Party at the elections in 1922. On 14th January 1922 a meeting of the members elected to the House of Commons of Southern Ireland was held at the Mansion House, Dublin. At the meeting the Anglo-Irish Treaty was ratified by the Irish side and a Provisional Government was elected. Michael Collins was appointed its Chairman and the Provisional Government took up office two days later on January 16th 1922 when the British administration handed over Dublin Castle to Collins in person. The Treaty, which would replace the Republic as a dominion of the British Commonwealth, was signed on December 6th. De Valera was not happy with the signing of it as he had stipulated that regardless of the outcome the delegates should not be pressured into any agreements and should return to consult with the cabinet and him, their President. After the Treaty was narrowly ratified, de Valera and a large majority of Sinn Féin T.D.s left Dáil Éireann and Arthur Griffith was elected President.
Women in Focus is a curated selection of films by five wildly independent female amateur filmmakers: Margaret Currivan; Agnes Heron; Flora Kerrigan; Beres Laidlaw; and Sister Maureen MacMahon. Women's creative work has been under-reported and under-recognised and can be challenging to catalogue due to a lack of recorded primary information. This is exacerbated when dealing with amateur or non-professional filmmaking, where the work of individual women filmmakers has been even more invisible. In 2021, the IFI Film Archive acknowledged a limitation in the IFI Film Archive research resources and put a request out to academic partners to assist in developing new tools that would highlight the work of female filmmakers within the collection. This resulted in a collaborative research project that developed new approaches to cataloguing the creative contribution of women filmmakers in local, regional, and national archives. Funded by the Arts and Humanities Research Council and the Irish Research Council, as part of the UK-Ireland Digital Humanities scheme, the project is a UK-Ireland collaboration between the University of East Anglia, Maynooth University, and the University of Sussex, with the IFI Irish Film Archive and East Anglian Film Archive as archive partners. The project has resulted in the creation of a cataloguing toolkit that helps archives with moving image collections to create clear, relevant, and easily accessible records about female filmmakers. The work presented here formed case studies for the toolkit and was digitised by the IFI Irish Film Archive. A larger selection of films from the project will be made available on the IFI Archive Player in 2025.
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Only one reel of this three-reel film has survived the ravages of time and so the tale is incomplete – but worth watching nonetheless. In this transatlantic tale, feisty young Peggy O’Malley (Gene Gauntier) refuses her father's orders to marry Jerry, the village blacksmith and runs away to New York City via steam-liner. Upon landing in New York she gets a job working as a parlour maid in the home of wealthy Mrs Mortimer. The film includes striking documentary-like elements in scenes set in Ireland – at the cattle market in Killarney and scenes of the emigrant ship leaving Queenstown (now Cobh) for America. This is all that survives of the film. Contemporaneous reviews fill in the remaining story : It’s not long before Peggy falls into a bad crowd and soon finds herself arrested for a crime she didn’t commit. With the news of Peggy’s arrest having made its way back home, will her blacksmith in shining armour come to save her from her wrongful imprisonment and take her back to Ireland? A single reel of this 3 reel film was discovered in the Museum of Modern Art following research by IFI in preparation for a major retrospective of Irish cinema in MOMA in 2011.