IFI Irish Film Archive
This newsreel shows a steamship carrying crates of pigeons arriving in Dublin in 1937 for the Irish Hospital Sweepstakes Pigeon Derby. The crates of birds are unloaded at the Dublin docks , and transported to the Croppies Accre (Collins Barracks), Dublin.. As the excitement builds, crowds gather and people in fancy dress (some dressed as pigeons) stand ready to release the birds. Signs show what clubs the birds have come from – many in the UK. , and the sky fills as the birds are released and scatter to find their bearings. Afterwards, Dublin’s Lord Mayor Alfred (Alfie) Byrne and an unnamed young woman receive gifts of pigeon eggs from a girl dressed in a pigeon suit. The Irish Hospitals’ Sweepstake was a lottery established in the Irish Free State in 1930 - with tickets sold as far afield as the UK and US - to finance hospitals and medical services. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
Loopline Films is an independent production company established in 1992 by award-winning filmmaker Sé Merry Doyle. Since its foundation, Loopline has been at the heart of Irish independent broadcasting creating a wealth of important and diverse material on topics such as folklife, ethnology, architecture, art, literature and inner city life. The subjects explored by Loopline were chosen by Merry Doyle for their cultural and social importance. This first tranche of the Loopline Collection covers key areas of Irish history and arts, and contains a unique wealth of stunning images revealing everyday Irish society in urban settings. The focus of the filmmaker is on national identity in a changing world and Sé Merry Doyle set up Loopline Film with the specific intention of making creative documentaries that would endure and stand the test of time. The breadth of the collection is evident in the diversity of its content: The Folklife footage captures the last living moments of many traditional rural ways of life before mass production and consumerism led to their demise. The material covers traditional farming methods, boatbuilding, weaving, fishing, thatching, wheelwright, and spiritual customs. The collection contains a large quantity of urban material that chronicles the changing landscape of Dublin, its buildings and its citizen’s ways of life. The films include such historically resonant images as the clearance of slums, the closure of traditional markets, and tragic accounts of young teenagers dying from the heroin epidemic of the early 90’s. Portraits of artists, architects, writers and poets are also a cornerstone of the collection with riveting interviews with the very best artistic talent in the country. Patrick Kavanagh, John Montague, Hugh Leonard, James Gandon, Jennifer Johnston, Doris Lessing, John Henry Foley, Eavan Boland, Brendan Kennelly and Joseph O’Connor are but a fraction of those featured.
John Montague was an Irish poet who was born in Brooklyn, New York, but grew up in Tyrone, Ireland. At the time this programme was made, Montague was Ireland Professor of Poetry at Trinity College, Dublin. In this generous interview, Montague reflects on studying in college where he discovered that ‘there were such things called poets’; living in France during World War II; encountering beat poetry in America; and returning to Cork in the early 1970s. Montague also examines his position as a poet and the 'melancholy' strain in his work. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.
In this Writer in Profile interview, Irish-language poet Nuala Ní Dhomhnaill discusses her early childhood in England where she grew up speaking both English and Irish. At the age of five, she went to live with her aunt in Co Kerry and was spurred to write Irish-language poetry after her first visit to the Gaeltacht. Ní Dhomhnaill believes that writing in Irish can be a liberating experience and she discusses her position as a female poet in relation to the limited readership of Irish-language writing. The interview ends with an amusing story about Ní Dhomhnaill being recognised by people on the street who are familiar with her poems. Imprint, a literature review programme, and its sister show Imprint: Writer in Profile screened on RTÉ1 for three seasons. Both were presented by Irish poet, writer and lecturer Theo Dorgan. Over the course of the Writer in Profile series Dorgan conducted extended, in-depth interviews with a wide range of Irish and international writers including Colm Tóibín, Bernard MacLaverty, Jennifer Johnston, Joseph O’Connor, Michael Longley, Doris Lessing, John Montague, Eavan Boland, Gore Vidal, Richard Ford and Margaret Atwood.
This film looks at the work of three prominent lace makers in Carrickmacross, Northern Ireland in the 1980s. Mary Wilson, Mary McMahon and Rose Feeney show various intricate lacework techniques that were inspired by their natural surroundings, as well as teaching us the history and language of lace through detailed demonstrations, all captured beautifully in this film by Roy Spence for the Ulster Folk Museum. Although the popularity of lacework has declined in recent years, the Ulster Folk Museum continues to preserve these disappearing traditions for future generations. Roy Spence is an award-winning amateur filmmaker. For the past 50 years, Spence has been making and screening a series of remarkable and sometimes eccentric films in his cinema in Comber, Co. Down. The films span many genres from sci-fi to horror to folk-life documentaries shot between 1965 and 1986. His collection of over 40 films (13 documentaries/non-fiction and 29 fiction feature films) is held and preserved in the IFI Irish Film Archive.
Winner of the World Amateur Film of the Year, The Magic Man stars Rowel Friers (Artist and Political Cartoonist) as Mesmero, a magician who tours with his wife around remote villages with their magic and mind-reading act. When three local thugs convince themselves that the magic man will reveal their crimes to the police, they hatch a plan to steal his mind-reading glasses. However, things go awry and the brutes get more than they bargained for. Roy Spence is an award-winning amateur filmmaker. For the past 50 years, Spence has been making and screening a series of remarkable and sometimes eccentric films in his cinema in Comber, Co. Down. The films span many genres from sci-fi to horror to folk-life documentaries shot between 1965 and 1986. His collection of over 40 films (13 documentaries/non-fiction and 29 fiction feature films) is held and preserved in the IFI Irish Film Archive.