IFI Irish Film Archive
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38s
Valley Ice Cream: Big Red
An advertisement for Valley Ice Cream, encouraging people to get their next ice cream pop from ‘the big red fridge’. Featuring all the favourites, including Choc Ice. Valley Ice Cream was based in Thurles, Co Tipperary, and closed in 1997.
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20m 00s
Essie's Last Stand
It’s Dublin, 1999, and 76 year old Essie Keeling, Georgie her dog and her neighbour Karl Byrne are fighting eviction by property developers and homelessness. This timely, inspiring story of determination and resistance offers a crucial lens through which to view Dublin’s current housing crisis. Despite her age and ill health, the lovable Essie is a force to be reckoned with. She refuses an offer of one thousand pounds when asked to make way for the demolition and redevelopment of her home into luxury apartments. Gathering a mass of supporters, including Richard Boyd Barrett and Nell McCafferty, Essie and Karl make a stand that captures the public’s imagination and wins the heart of the audience. Don’t miss our exclusive clip below, where Loopline revisit Essie one year later. Director Liam McGrath has documented Irish society for over twenty years with a regular focus on Traveller Culture. He is known for the feature documentary Southpaw: The Francis Barrett Story (1998) and was winner of the 2015 Best Director Television IFTA for Dolores Keane: A Storm in the Heart.
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1m 07s
Further Pictures of Irish Peace
This newsreel depicts the immediate aftermath of the Anglo-Irish Peace Treaty on December 6th 1921, showing the release of 1,700 internees from Ballykinlar internment camp. In the aftermath of Bloody Sunday, November 21st 1920, the British authorities arrested hundreds of republicans and opened several internment camps throughout Ireland. The first internment camp was this one at Ballykinlar, in Co. Down, while the volume of arrests was so great that additional camps had to be established at Gormanstown, Co. Dublin; Bere Island and Spike Island, Co. Cork; and at the Curragh, in Co. Kildare. Opened in December 1920 Ballykinlar Camp was situated on the Co. Down coast at the mouth of Dundrum Bay, about three miles from Dundrum village between Downpatrick and Newcastle. Over the following year 2,000 men were interned at Ballykinlar.Three days later after the signing of the Anglo-Irish Treaty, on December 9th 1921, all Republican prisoners were released from Ballykinlar. Three special trains brought the men to Dublin, from where the internees made their own way to their home Counties. The trains were attacked by loyalist mobs with gunfire, bricks and stones at several locations. The Leinster Leader however on, December 17th 1921, reported on the release of the Ballykinlar and Curragh Camp internees, remarking that the reception in Athy was ‘a very warmhearted one’.
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56m 45s
Dear Daughter - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Dear Daughter was the first televised exposure of the horrific abuse of hundreds of children in Ireland’s industrial schools. Christine Buckley bravely recounts the extent of the atrocities she experienced as a child in Dublin’s Goldenbridge orphanage in this drama-documentary. Born in Dublin, she was the daughter of a married Irish woman and a Nigerian medical student. At the age of three weeks old she was given up to be fostered. Dear Daughter delves into her traumatic childhood at the orphanage and her persistent determination to find her parents. Dear Daughter was one of several television documentaries (including Lentin’s Stolen Lives (1999) and Mary Rafferty’s States of Fear (1999)) which heightened public awareness of institutional abuse, and lead to the commissioning of the Murphy and Ryan reports, which investigated the sexual abuse scandal in the Catholic archdiocese of Dublin leading to a full State apology to victims of clerical child abuse by then Taoiseach Bertie Ahern. Dear Daughter was awarded the Creative Excellence Award at the US International Film and TV Festival 1996 and was nominated for Social and Political Documentary, Banff Television Festival, 1996. With kind permission of Dr. Ronit Lentin.
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2m 55s
Introduction - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. Snakes and Ladders (1997), her debut feature, was one of the first Irish films directed by a woman about contemporary women’s lives, and she continued to position women squarely on screen with her ground-breaking documentary series, Hoodwinked: Irish Women Since the 1920s. Her interest in other artists is evident in her documentary profiles of Leo O’Kelly, Donal O’Kelly and Liu Xiabo. She has recently explored new modes of storytelling in her formally exciting short films Strangers to Kindness (2015) and Confinement (2019). We’re delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Trish approached the IFI Archive Player looking to discover some hidden gems showing an alternative Irish character. Her choices can be broken down into three eras: early representations of Ireland on film (1910s – 1920s); changing culture in Ireland (1950s – 1970s); and contemporary Irish filmmaking (1980s – 2000s). The wide-ranging selection, in her own words ‘not so much a tip of an iceberg, as a scattering within the iceberg,’ is free to watch on the IFI Archive Player anywhere in the world.
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14m 00s
Missing Green
A solitary woman walks through the eerie night-time landscape of Dublin’s Cork Street, a street once quiet and residential, now a four-laned artery for city traffic. Cork Street, as described by the narrators Councillor John Gallagher, architect Gerry Cahill, journalist Frank McDonald and sociologist Aileen O’Gorman, used to be a much better place to live than it is today. Gone are the days when people could easily cross the road to visit neighbours or children could safely play on the street. Urban planners carved out this four-laned artery to connect the city with its outlying suburbs. Furthermore, a decision to fence off open spaces in an attempt to prevent anti-social behaviour , succeeded only in promoting social isolation for the residents who still call Cork Street home. The isolation is embodied in the character of a young woman (actor Niamh Algar, nominated for a BAFTA for 2019’s Calm with Horses) who walks through the deserted urban landscape as memories are narrated which no longer match the present-day surroundings. This film is part of F-Rated: Short Films by Irish Women.