IFI Irish Film Archive

Dun Laoghaire Storm - Father Delany Collection

Year1948 Duration1m 17s

This short amateur film by Father Delany shows powerful waves crashing over the harbour walls on a stormy evening in Dun Laoghaire. A small group of people gather dangerously close to the edge as the boats and buoys rock erratically in the distance. One gentleman can be seen making a dash for it to avoid a nasty soaking. Father Jack Delany (1906-1980) was ordained in 1930 at the age of 24 and served as a parish priest in Dublin in the 1930s and 1940s. He served mainly in Seán McDermott Street (then Gloucester Street), Rutland Street and Gardiner Street. His images of trips with his parishoners, tenement life, school children at play, religious processions, and scenes within the Sisters of Our Lady of Charity Convent which housed a Magdalene Laundry provide us with a fascinating glimpse of life in inner city Dublin in the 1930s. With kind permission of Irene Devitt.

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Dear Daughter was the first televised exposure of the horrific abuse of hundreds of children in Ireland’s industrial schools. Christine Buckley bravely recounts the extent of the atrocities she experienced as a child in Dublin’s Goldenbridge orphanage in this drama-documentary. Born in Dublin, she was the daughter of a married Irish woman and a Nigerian medical student. At the age of three weeks old she was given up to be fostered. Dear Daughter delves into her traumatic childhood at the orphanage and her persistent determination to find her parents. Dear Daughter was one of several television documentaries (including Lentin’s Stolen Lives (1999) and Mary Rafferty’s States of Fear (1999)) which heightened public awareness of institutional abuse, and lead to the commissioning of the Murphy and Ryan reports, which investigated the sexual abuse scandal in the Catholic archdiocese of Dublin leading to a full State apology to victims of clerical child abuse by then Taoiseach Bertie Ahern. Dear Daughter was awarded the Creative Excellence Award at the US International Film and TV Festival 1996 and was nominated for Social and Political Documentary, Banff Television Festival, 1996. With kind permission of Dr. Ronit Lentin.

55m 00s

Dear Daughter - The Louis Lentin Collection

Dear Daughter was the first televised exposure of the horrific abuse of hundreds of children in Ireland’s industrial schools. Christine Buckley bravely recounts the extent of the atrocities she experienced as a child in Dublin’s Goldenbridge orphanage in this drama-documentary. Born in Dublin, she was the daughter of a married Irish woman and a Nigerian medical student. At the age of three weeks old she was given up to be fostered. Dear Daughter delves into her traumatic childhood at the orphanage and her persistent determination to find her parents. Dear Daughter was one of several television documentaries (including Lentin’s Stolen Lives (1999) and Mary Rafferty’s States of Fear (1999)) which heightened public awareness of institutional abuse, and lead to the commissioning of the Murphy and Ryan reports, which investigated the sexual abuse scandal in the Catholic archdiocese of Dublin leading to a full State apology to victims of clerical child abuse by then Taoiseach Bertie Ahern. Dear Daughter was awarded the Creative Excellence Award at the US International Film and TV Festival 1996 and was nominated for Social and Political Documentary, Banff Television Festival, 1996. With kind permission of Dr. Ronit Lentin.

3m 53s

Irish Republic Proclaimed

This newsreel shows enthusiastic celebrations on the streets of Dublin as legislation creating the Irish Republic is passed. On 18th April 1949, The Republic of Ireland Act came into force. It declared that Ireland may officially be described as the Republic of Ireland and that the President of Ireland had the executive authority of the state in its external relations. This momentous event in Irish history is documented in this newsreel from with a collection of dignitaries including President Seán T O’Kelly and his wife, Lord Mayor of Dublin John Breen, Maud Gonne and Éamon de Valera, arriving at St. Mary’s Pro-Cathedral Dublin, for the ceremony. Crowds of people gather on O’Connell Street as the Irish Republic flag is hoisted and a salute is fired on top of the GPO. Celebrations continue as the Irish Army march by, along with Irish pipers, howitzers and armoured cars. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

14m 00s

Missing Green

A solitary woman walks through the eerie night-time landscape of Dublin’s Cork Street, a street once quiet and residential, now a four-laned artery for city traffic.  Cork Street, as described by the narrators Councillor John Gallagher, architect Gerry Cahill, journalist Frank McDonald and sociologist Aileen O’Gorman, used to be a much better place to live than it is today.  Gone are the days when people could easily cross the road to visit neighbours or children could safely play on the street. Urban planners carved out this four-laned artery to connect the city with its outlying suburbs. Furthermore, a decision to fence off open spaces in an attempt to prevent  anti-social behaviour , succeeded only in  promoting social isolation for the residents who still call Cork Street home.  The isolation is embodied in the character of a young woman (actor Niamh Algar, nominated for a BAFTA for 2019’s Calm with Horses) who walks through the deserted  urban landscape as memories are narrated which no longer match the present-day surroundings. This film is part of F-Rated: Short Films by Irish Women.

3m 17s

The Loopline Collection Featurette

Loopline Films is an independent production company established in 1992 by award-winning filmmaker Sé Merry Doyle. Since its foundation, Loopline has been at the heart of Irish independent broadcasting creating a wealth of important and diverse material on topics such as folklife, ethnology, architecture, art, literature and inner city life. The subjects explored by Loopline were chosen by Merry Doyle for their cultural and social importance. This first tranche of the Loopline Collection covers key areas of Irish history and arts, and contains a unique wealth of stunning images revealing everyday Irish society in urban settings. The focus of the filmmaker is on national identity in a changing world and Sé Merry Doyle set up Loopline Film with the specific intention of making creative documentaries that would endure and stand the test of time. The breadth of the collection is evident in the diversity of its content: The Folklife footage captures the last living moments of many traditional rural ways of life before mass production and consumerism led to their demise. The material covers traditional farming methods, boatbuilding, weaving, fishing, thatching, wheelwright, and spiritual customs. The collection contains a large quantity of urban material that chronicles the changing landscape of Dublin, its buildings and its citizen’s ways of life. The films include such historically resonant images as the clearance of slums, the closure of traditional markets, and tragic accounts of young teenagers dying from the heroin epidemic of the early 90’s. Portraits of artists, architects, writers and poets are also a cornerstone of the collection with riveting interviews with the very best artistic talent in the country. Patrick Kavanagh, John Montague, Hugh Leonard, James Gandon, Jennifer Johnston, Doris Lessing, John Henry Foley, Eavan Boland, Brendan Kennelly and Joseph O’Connor are but a fraction of those featured.

5m 18s

Terence MacSwiney Laid to Rest

This newsreel shows the final journey for Terence Mac Swiney, who died in Brixton, England on October 25th 1920. His body arrives in Cork at Customs House Quay on October 31st (it was diverted from Dublin to avoid demonstrations). The coffin of Terence McSwiney arrives on the tugboat Mary Tavy into Cork's Custom House Quay. A procession of mourners fill Patrick Street as hordes of people turn up to show their respects. His brother Sean MacSwiney is seen walking alongside the coffin along with his other brother Peter, who is acting as pallbearer. His coffin is carried into the Cathedral of St Mary and St Anne and he is buried at St Finbarr’s Cemetery. Terence James MacSwiney was an Irish playwright, author and politician. He was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British on charges of sedition and imprisoned in Brixton Prison in England. His death there in October 1920 after 74 days on hunger strike brought him and the Irish struggle to international attention.