IFI Irish Film Archive
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. This short documentary depicts the lives of the inhabitants of the Aran Islands off the coast of Galway in 1924. This short film, made about ten years before Flaherty’s epic Man of Aran, is probably the earliest surviving film of the islands. It presents a multi-faceted portrait of island life showing locals going about their daily routines: cattle are tied to a curragh and rowed out to a waiting steamship; islanders are photographed by visitors to the island; island men participate in the game of stone throwing (ag caitheamh cloch nirt). A breath-taking sequence shows 4 islandmen roped together and scaling a rugged cliff face. These men were known as cliffmen and may have been trying to catch birds or steal their eggs. While elders are busy battling the elements and rural life, some children express delight at the visiting camera. Aran historian Dr. Deirdre Ni Chonghaile has identified sequences on all three of the Aran Islands Inis Meáin, Inis Oírr and Inis Mór.
The majestic Giant’s Causeway, Co. Antrim, takes centre stage in this film from the Pathetone Weekly cinemagazine from 1935. A man clambers on some of the 37,000 basalt rock columns as a narrator describes the location as one of the ‘wonders of the world’. Most of the rocks are hexagonal in shape but there is one octagonal rock is known as the Keystone . Good fortune awaits those who sit in the Wishing Chair or drink from the Wishing Well. The narrator tells the legend of how an Irish giant built the causeway while trying to get to Scotland to fight a rival. He then adds how ‘it is probably really formed by volcanic action’ and is “one of the most superb rock formations in the world”. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
In this 1920s newsreel, an Irish co-operative digs, stacks and gathers turf. It is an activity involving the whole community - even the local priest is involved in overseeing the sacks of turf loaded onto a barge before being transported by canal. The crew work tirelessly to load a barge. ‘Rathangan’ is inscribed on the side of the barge and a man waves an ‘Up Kildare’ flag in shot. The turf is possibly extracted from the Bog of Allen – a large, raised bogland stretching over 5 counties in Ireland. In the 19th and early 20th century, non-agriculturally viable bogland was Ireland’s primary indigenous fuel resource. It is estimated that 6 million tonnes of sod turf was produced in 1921. In Ireland today a focus has shifted to a more environment-friendly energy production and there has been an attempt to restore Irish boglands. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
This short documentary depicts the lives of the inhabitants of the Aran Islands off the coast of Galway in 1924. The opening title notes: ‘Remote from civilisation, unique in custom, these hardy Arran (sic) islanders eke out an existence from barren and rock-bound soil’. This short film, made about ten years before Flaherty’s epic Man of Aran, is probably the earliest surviving film of the islands. It presents a multi-faceted portrait of island life showing locals going about their daily routines: cattle are tied to a curragh and rowed out to a waiting steamship; rowing islanders are photographed by visitors to the island; island men participate in the game of stone throwing (ag caitheamh cloch nirt). A breath-taking sequence shows 4 islandmen roped together and scaling a rugged cliff face. These men were known as cliffmen and may have been trying to catch birds or steal their eggs. While elders are busy battling the elements and rural life, some children express delight at the visiting camera. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic. Aran historian Dr Deirdre Ni Chonghaile has identified sequences on all three of the Aran Islands Inis Meáin, Inis Oírr and Inis Mór.
In this compilation newsreel from 1920, we see the first pictures from Derry , soldiers on the streets during the War of Independence. “The aftermath” intertitle shows us the devastation the Civil War had on Dublin, showing the many shelled and gutted buildings, many of which can be seen being pulled down by workers to avoid them from collapsing on someone. Michael Collins can then be seen, in footage that appears to be from 1921, giving a speech to a large crowd of people outside the Mansion House in Dublin following the signing of the Anglo Irish Peace Treaty. The final segment is of Rory O’Connor, an Irish Republican activist, seen giving a speech to the Dublin City Brigade at Smithfield, April 1922.
Guerilla Warfare in Ireland started in August 1922, when the IRA tried to bring down the new Irish government and overturn the Anglo-Irish Treaty. There were many guerrilla attacks, one of the most notable casualties being Commander-in-Chief Michael Collins, who was killed in an ambush in Cork on August 22nd. This newsreel shows several rebels holding people at gunpoint in a muddy country road. Hostages sitting in the back of a truck are handed drinks while some are blindfolded. However many say this is more of a propaganda film made by the British.