IFI Irish Film Archive
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3m 37s
Connemara’s Appeal
Following the War of Independence, the Civil War and economic depression, Ireland was in a ruinous state. Between 1923 and 1924, wages were cut by 16%, the old age pension was reduced by 10% and a seven day working week was introduced. For farmers, especially in the west of Ireland, harvests were particularly poor and animal stocks died in large numbers due to hunger related diseases and turf, the main fuel resource could not dry due to the wet damp weather. By the beginning of 1925, hundreds of thousands of people were in dire need. In this newsreel we get a glimpse of some of the struggles people in Connemara (considered one of the most impoverished regions) experienced. The conditions were so dire that, even with government aid grants of £500,000, these conditions resulted in many deaths and widespread suffering.
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14s
Gaol for a Kiss
This newsreel features a laughing Julia Clarke who fled Ireland after being sentenced to one month in gaol for kissing her boyfriend. Julia Clarke, from Glasgow, was sentenced by Dundalk Court for kissing her boyfriend on church property at Blackrock, Co. Louth. According to a news article at the time, ‘the local vigilance committee was shocked and the Dundalk Justices were so scandalised that, although Miss Clarke already had returned home to Glasgow, they passed the sentence “with a view to keeping her out of the country for ever”. Her unnamed boyfriend had already appeared before the Court and was ordered to pay a small fine. Ms. Clarke was the first woman sentenced under Eamon de Valera’s ‘Vice Act’. In this newsreel, she doesn’t appear too worried about the sentence. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
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35s
President of Éire
Large crowds gather on the streets of Dublin as Ireland’s first President, Dr. Douglas Hyde, is installed. This newsreel from 1938 depicts the military procession that leads Douglas Hyde past the Grand Central Cinema and the GPO on O’Connell Street, Dublin to the Phoenix Park where he is to be installed as President of Ireland. When he arrives at Áras an Uachtaráin he is greeted by Eamon de Valera, Prime Minister, and Seán T O’Kelly, Tánaiste who would succeed Hyde as President in 1945. Áras an Uachtaráin was built in 1751 in Phoenix Park, Dublin. It had been acquired for use by the Viceroys who oversaw British rule in Ireland until 1922 but became the President of Ireland’s official home in 1938. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
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22s
Coal Strike – Ireland
This newsreel shows the impact the mining crisis in England (March 1921) had in Ireland. The camera pans across the docks showing boats being held up and coal wharfs empty in the ports. In the aftermath of the First World War,the Triple Alliance (a group made up of (Railwaymen, Transport Workers, and Coal Miners) were regarded by many trade unionists as a defence against the threat of wage reductions occasioned by the onset of economic depression. A complicating factor was that both the coal industry and railways had been controlled by the state during the war and were not immediately returned to private hands. The Coalition-Liberal Government of David Lloyd George was unwilling to impose wage reductions, as this would provoke strike action against the government, with political implications. Reductions for miners were postponed until the industry was de-controlled on March 31st 1921. Miners who refused to accept the reductions were locked out of employment.
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1m 07s
Further Pictures of Irish Peace
This newsreel depicts the immediate aftermath of the Anglo-Irish Peace Treaty on December 6th 1921, showing the release of 1,700 internees from Ballykinlar internment camp. In the aftermath of Bloody Sunday, November 21st 1920, the British authorities arrested hundreds of republicans and opened several internment camps throughout Ireland. The first internment camp was this one at Ballykinlar, in Co. Down, while the volume of arrests was so great that additional camps had to be established at Gormanstown, Co. Dublin; Bere Island and Spike Island, Co. Cork; and at the Curragh, in Co. Kildare. Opened in December 1920 Ballykinlar Camp was situated on the Co. Down coast at the mouth of Dundrum Bay, about three miles from Dundrum village between Downpatrick and Newcastle. Over the following year 2,000 men were interned at Ballykinlar.Three days later after the signing of the Anglo-Irish Treaty, on December 9th 1921, all Republican prisoners were released from Ballykinlar. Three special trains brought the men to Dublin, from where the internees made their own way to their home Counties. The trains were attacked by loyalist mobs with gunfire, bricks and stones at several locations. The Leinster Leader however on, December 17th 1921, reported on the release of the Ballykinlar and Curragh Camp internees, remarking that the reception in Athy was ‘a very warmhearted one’.
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14m 31s
Come Back to Erin - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Only one reel of this three-reel film has survived the ravages of time and so the tale is incomplete – but worth watching nonetheless. In this transatlantic tale, feisty young Peggy O’Malley (Gene Gauntier) refuses her father's orders to marry Jerry, the village blacksmith and runs away to New York City via steam-liner. Upon landing in New York she gets a job working as a parlour maid in the home of wealthy Mrs Mortimer. The film includes striking documentary-like elements in scenes set in Ireland – at the cattle market in Killarney and scenes of the emigrant ship leaving Queenstown (now Cobh) for America. This is all that survives of the film. Contemporaneous reviews fill in the remaining story : It’s not long before Peggy falls into a bad crowd and soon finds herself arrested for a crime she didn’t commit. With the news of Peggy’s arrest having made its way back home, will her blacksmith in shining armour come to save her from her wrongful imprisonment and take her back to Ireland? A single reel of this 3 reel film was discovered in the Museum of Modern Art following research by IFI in preparation for a major retrospective of Irish cinema in MOMA in 2011.