IFI Irish Film Archive
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38s
Valley Ice Cream: Big Red
An advertisement for Valley Ice Cream, encouraging people to get their next ice cream pop from ‘the big red fridge’. Featuring all the favourites, including Choc Ice. Valley Ice Cream was based in Thurles, Co Tipperary, and closed in 1997.
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56m 45s
Dear Daughter - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Dear Daughter was the first televised exposure of the horrific abuse of hundreds of children in Ireland’s industrial schools. Christine Buckley bravely recounts the extent of the atrocities she experienced as a child in Dublin’s Goldenbridge orphanage in this drama-documentary. Born in Dublin, she was the daughter of a married Irish woman and a Nigerian medical student. At the age of three weeks old she was given up to be fostered. Dear Daughter delves into her traumatic childhood at the orphanage and her persistent determination to find her parents. Dear Daughter was one of several television documentaries (including Lentin’s Stolen Lives (1999) and Mary Rafferty’s States of Fear (1999)) which heightened public awareness of institutional abuse, and lead to the commissioning of the Murphy and Ryan reports, which investigated the sexual abuse scandal in the Catholic archdiocese of Dublin leading to a full State apology to victims of clerical child abuse by then Taoiseach Bertie Ahern. Dear Daughter was awarded the Creative Excellence Award at the US International Film and TV Festival 1996 and was nominated for Social and Political Documentary, Banff Television Festival, 1996. With kind permission of Dr. Ronit Lentin.
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15m 00s
The Drip
In 1985, two teenagers break into a cinema at night to watch the comical story of a woman waiting impatiently for her boyfriend to return home from the pub. The man’s actions cause utter chaos upon his return home to their apartment. Despite his inebriation he decides to climb, half-naked, out of bed and under the sink to fix a dripping tap. A curious cat surprises him with its attentions causing him to accidentally knock himself out. His long-suffering girlfriend calls an ambulance and, relieved to hear he’ll be alright in the morning, allows herself a little laugh as he is carried off still drunk, still naked, for a night in hospital. This idiosyncratic short film provided a vehicle for the fledgling directorial talents of Trish McAdam, and for a large and impressive cast of young actors including Jack Lynch, Pom Boyd, Mannix Flynn, and a young Aidan Gillen (as Aidan Murphy). This film is part of F-Rated: Short Films by Irish Women.
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20m 00s
Essie's Last Stand
It’s Dublin, 1999, and 76 year old Essie Keeling, Georgie her dog and her neighbour Karl Byrne are fighting eviction by property developers and homelessness. This timely, inspiring story of determination and resistance offers a crucial lens through which to view Dublin’s current housing crisis. Despite her age and ill health, the lovable Essie is a force to be reckoned with. She refuses an offer of one thousand pounds when asked to make way for the demolition and redevelopment of her home into luxury apartments. Gathering a mass of supporters, including Richard Boyd Barrett and Nell McCafferty, Essie and Karl make a stand that captures the public’s imagination and wins the heart of the audience. Don’t miss our exclusive clip below, where Loopline revisit Essie one year later. Director Liam McGrath has documented Irish society for over twenty years with a regular focus on Traveller Culture. He is known for the feature documentary Southpaw: The Francis Barrett Story (1998) and was winner of the 2015 Best Director Television IFTA for Dolores Keane: A Storm in the Heart.
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1m 10s
The Outgoing President
In this newsreel the Ministry and members of the Republican Party who opposed the Treaty stand for the camera after contesting the policy of the Free State Party at the elections in 1922. On 14th January 1922 a meeting of the members elected to the House of Commons of Southern Ireland was held at the Mansion House, Dublin. At the meeting the Anglo-Irish Treaty was ratified by the Irish side and a Provisional Government was elected. Michael Collins was appointed its Chairman and the Provisional Government took up office two days later on January 16th 1922 when the British administration handed over Dublin Castle to Collins in person. The Treaty, which would replace the Republic as a dominion of the British Commonwealth, was signed on December 6th. De Valera was not happy with the signing of it as he had stipulated that regardless of the outcome the delegates should not be pressured into any agreements and should return to consult with the cabinet and him, their President. After the Treaty was narrowly ratified, de Valera and a large majority of Sinn Féin T.D.s left Dáil Éireann and Arthur Griffith was elected President.
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14m 31s
Come Back to Erin - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Only one reel of this three-reel film has survived the ravages of time and so the tale is incomplete – but worth watching nonetheless. In this transatlantic tale, feisty young Peggy O’Malley (Gene Gauntier) refuses her father's orders to marry Jerry, the village blacksmith and runs away to New York City via steam-liner. Upon landing in New York she gets a job working as a parlour maid in the home of wealthy Mrs Mortimer. The film includes striking documentary-like elements in scenes set in Ireland – at the cattle market in Killarney and scenes of the emigrant ship leaving Queenstown (now Cobh) for America. This is all that survives of the film. Contemporaneous reviews fill in the remaining story : It’s not long before Peggy falls into a bad crowd and soon finds herself arrested for a crime she didn’t commit. With the news of Peggy’s arrest having made its way back home, will her blacksmith in shining armour come to save her from her wrongful imprisonment and take her back to Ireland? A single reel of this 3 reel film was discovered in the Museum of Modern Art following research by IFI in preparation for a major retrospective of Irish cinema in MOMA in 2011.