IFI Irish Film Archive
An advertisement for Valley Ice Cream, encouraging people to get their next ice cream pop from ‘the big red fridge’. Featuring all the favourites, including Choc Ice. Valley Ice Cream was based in Thurles, Co Tipperary, and closed in 1997.
This short documentary depicts the lives of the inhabitants of the Aran Islands off the coast of Galway in 1924. The opening title notes: ‘Remote from civilisation, unique in custom, these hardy Arran (sic) islanders eke out an existence from barren and rock-bound soil’. This short film, made about ten years before Flaherty’s epic Man of Aran, is probably the earliest surviving film of the islands. It presents a multi-faceted portrait of island life showing locals going about their daily routines: cattle are tied to a curragh and rowed out to a waiting steamship; rowing islanders are photographed by visitors to the island; island men participate in the game of stone throwing (ag caitheamh cloch nirt). A breath-taking sequence shows 4 islandmen roped together and scaling a rugged cliff face. These men were known as cliffmen and may have been trying to catch birds or steal their eggs. While elders are busy battling the elements and rural life, some children express delight at the visiting camera. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic. Aran historian Dr Deirdre Ni Chonghaile has identified sequences on all three of the Aran Islands Inis Meáin, Inis Oírr and Inis Mór.
This newsreel, which is predominately text based, declares that “after centuries of strife, Britain adds a contented New Dominion to the Crown”. The Anglo-Irish Treaty was signed between Irish and British negotiators in London at 10 Downing Street, and would determine the future of 20th century Ireland. British Prime Minister David Lloyd George threatened the Irish with “Immediate and terrible war” should they decide not to accept The Treaty. Michael Collins signed it as he believed it would be either a dominion and peace or a Republic and war. The Treaty was signed at 2.20am on December 6th 1921. Irish delegates seen at the end of the Newsreel, include Mr Arthur Griffith {Left} and R.C Barton {Center}, “agreed to an arrangement whereby all Ireland – except Ulster- becomes a Free State”.
Kay is a short documentary that explores the artistic approach and paintings of Kay Lavelle, a sixth-year pupil at Sion Hill, one of Ireland's oldest all girls’ secondary schools in County Dublin. The film follows the student as she paints on Killiney strand with beachgoers and fishermen and at the school's art studio. Sister Maureen MacMahon, the filmmaker and Kay's teacher, created the work after her student returned from Germany dramatically affected by the adverse effects of the industrial revolution on the human psyche. Kay won the National Film Institute's Amateur Cine Competition in 1968. Sister Maureen MacMahon OP (b.1918) is an artist, writer, educator, filmmaker and Dominican nun. She entered the Dominican Order at Cabra, County Dublin, in 1936. MacMahon attended the National College of Art, Dublin, and received an ATC Certificate and Diploma in Art Education in 1970. She taught art in various local primary schools from 1947 to 1971. In the early 1970s, she worked as the Head of the Audio-Visual Department at Radharc, and later part-time lecturer at Trinity College, Dublin and St. Patrick’s Training College. MacMahon was part of the Black Raven Film Group, along with Owen Carton and Sean Brophy, which produced documentaries and educational films even winning the National Film Institute’s ‘Gevaert Perpetual Challenge’1st Place Trophy in 1967. In 2022, the Irish Film Institute held a public screening of MacMahon’s work, which she attended at the age of 104 years old.
A documentary exploring the romantic and artistic relationship between two trapeze artists. Trapeze artists Ken Fanning and Tina Segner perform a series of breath-taking feats in the air as they reflect on their relationship and the profound physical and emotional trust that their partnership demands. This is not your traditional love story: boy meets girl; they fall in love with each other and with the trapeze; girl meets somebody else; trust is undermined. Following the break-up and an accidental fall, trust and emotions are tested. But the pair continue working closely together perfecting their act. Róisín Loughrey’s DLCAD graduate film delicately interweaves the frank reflections of the artists with Kate McCullough’s black and white cinematography (see more of McCullough’s work in Home). Fall into Half Angel won many awards and was screened at the Museum of Modern Art in New York. This film is part of F-Rated: Short Films by Irish Women.
In Irish legend, Oisín, son of Celtic warrior Fionn Mac Cumhaill, was a warrior, a bard and a poet. This lyrical film opens with a quotation from Irish mythology where Oisín describes Irish birdsong as ‘the sweetest in the world’ and urges us to ‘stop and listen!’ What follows is a stunning, non-narrated depiction of Irish birds, animals and landscapes. Oisín was commissioned by the Department of Land of Ireland as a contribution to the European Conservation Year. Oisín is part of The Oscar® Collection: A Selection of Irish Academy Award® Nominated Short Films It was nominated for an Academy Award® for Best Documentary Short in 1971. This film is part of The Patrick Carey Collection.