IFI Irish Film Archive

Christmas Morning

Year1978 Duration6m 44s ProducerAOF Productions

Directed by Tiernan MacBride, this short film – nominated for a Palme d’Or in 1978 for Best Short Film – is a visual representation of the Irish folk song Arthur McBride and The Sergeant, played and sung by Irish singer Paul Brady. The lyrics tell the story of Arthur MacBride (Paul Bennett) and his cousin (Paul Wilson) who fight off a recruiting sergeant (Godfrey Quigley) when he tries to enlist them in the British army. The song itself is an old Irish anti-war song, and it is reported to have originated around 1840. It has been performed by many artists over the years including Bob Dylan. Tiernan MacBride was the son of politician Seán Mac Bride and grandson of revolutionary Maud Gonne. MacBride was a key figure in the establishment of many prominent film related organisations including the first Irish Film Board. The Library at the IFI is named after him in honour of his many years as a passionately engaged board member of the Irish Film Institute.

Large crowds gather on the streets of Dublin as Ireland’s first President, Dr. Douglas Hyde, is installed. This newsreel from 1938 depicts the military procession that leads Douglas Hyde past the Grand Central Cinema and the GPO on O’Connell Street, Dublin to the Phoenix Park where he is to be installed as President of Ireland. When he arrives at Áras an Uachtaráin he is greeted by Eamon de Valera, Prime Minister, and Seán T O’Kelly, Tánaiste who would succeed Hyde as President in 1945. Áras an Uachtaráin was built in 1751 in Phoenix Park, Dublin. It had been acquired for use by the Viceroys who oversaw British rule in Ireland until 1922 but became the President of Ireland’s official home in 1938. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

9m 04s

Up the Canal

This short film explores how the Grand Canal in Dublin has changed over the years. The voiceover provided by Irish novelist, short story writer and humourist John D. Sheridan, notes how methods of transport have changed and how fewer boats and barges now use the waterway. The aural memories are illustrated by poetic footage of the canal in the 1960s. The director, Margaret Currivan, won first prize for Up the Canal in the 'Film Shows Cup’ at the 1961 Dublin Amateur Cine Society competition (a competition predominantly entered by male filmmakers at the time). Margaret Currivan (b. 1923) was an avid amateur filmmaker, most prolific from 1954 to 1966. Currivan had a keen interest in photography and co-owned Currivan's Photographic Services in Dublin with her husband, Patrick Joseph (PJ). The shop processed and sold film, projectors, cameras and equipment and the filmmaker would, therefore, have had access to equipment, supplies and quick processing. Her films chronicle the story of her family, PJ and children Helen, Dan, and Paddy, engaged in key events including birthdays, Christmases and holidays. Currivan sometimes appears in her films, alluding to partial recording made by PJ. However, the shots are few and authorship is retained by Currivan who is noted to have also meticulously edited her films using a manual reel-to-reel device and splicer.

11m 06s

Along the Milky Way - The Roy Spence Collection

A comical documentary film by Roy Spence focuses on the various stages of a bottle of school milk. The commentary is given by a pint-sized cartoon character called Junior who appears on the milk-bottle cap. He explains the whole procedure to a little girl at school who has confused the words ‘diary’ and ‘’dairy’. This charming educational film was made for the Milk Marketing Board for Northern Ireland. Roy Spence is an award-winning amateur filmmaker. For the past 50 years Roy has been making and screening a series of remarkable and sometimes eccentric films in his cinema in Comber, Co. Down. The films span many genres from sci-fi to horror to folk-life documentaries shot between 1965 and 1986. His collection of over 40 films (13 documentaries/non-fiction and 29 fiction feature films) is held and preserved in the IFI Irish Film Archive.

30m 47s

Statistic - Trish McAdam Filmmaker Playlist

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. ‘Who needs a pregnant waitress?’ is just one of the questions that fills Ellie Connolly’s mind when she discovers she is pregnant in 1980s Ireland. Statistic was made by film student Alison Kelly in 1983, the year which saw the passing of the Eighth Amendment to the Constitution Act (which effectively criminalised abortion in most circumstances). Ellie (Edel McCrann) is pregnant as “the result of a drunken screw between two people who hardly knew each other”.  She broods in her flat and discusses her predicament with her good friend Anne – she must tell her boyfriend Paul but she knows ’In the end it’s inside me, not him’.  She finds information in a magazine about abortion services in the UK and Anne accompanies her to the ferry – following the footsteps of the many women before her. Statistic is invaluable as a contemporaneous response to events in 1983 – the film includes newspaper headlines and filmed sequences of pro and anti-abortion marches and dramatizes the plight of a young woman dealing with a crisis pregnancy. It is also a vivid record of the sights and sounds of Dublin in the 1980s  - not least in the colourful cameos from mime artist Raymond Keane and indie band The Cuba Dares.

5m 15s

Wonderful Western Islanders - Trish McAdam Filmmaker Playlist

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. This short documentary depicts the lives of the inhabitants of the Aran Islands off the coast of Galway in 1924. This short film, made about ten years before Flaherty’s epic Man of Aran, is probably the earliest surviving film of the islands. It presents a multi-faceted portrait of island life showing locals going about their daily routines: cattle are tied to a curragh and rowed out to a waiting steamship; islanders are photographed by visitors to the island; island men participate in the game of stone throwing (ag caitheamh cloch nirt). A breath-taking sequence shows 4 islandmen roped together and scaling a rugged cliff face. These men were known as cliffmen and may have been trying to catch birds or steal their eggs. While elders are busy battling the elements and rural life, some children express delight at the visiting camera. Aran historian Dr. Deirdre Ni Chonghaile has identified sequences on all three of the Aran Islands Inis Meáin, Inis Oírr and Inis Mór.

10m 43s

Dots, Whips and Cobwebs - The Roy Spence Collection

This film looks at the work of three prominent lace makers in Carrickmacross, Northern Ireland in the 1980s. Mary Wilson, Mary McMahon and Rose Feeney show various intricate lacework techniques that were inspired by their natural surroundings, as well as teaching us the history and language of lace through detailed demonstrations, all captured beautifully in this film by Roy Spence for the Ulster Folk Museum. Although the popularity of lacework has declined in recent years, the Ulster Folk Museum continues to preserve these disappearing traditions for future generations. Roy Spence is an award-winning amateur filmmaker. For the past 50 years, Spence has been making and screening a series of remarkable and sometimes eccentric films in his cinema in Comber, Co. Down. The films span many genres from sci-fi to horror to folk-life documentaries shot between 1965 and 1986. His collection of over 40 films (13 documentaries/non-fiction and 29 fiction feature films) is held and preserved in the IFI Irish Film Archive.