IFI Irish Film Archive
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14m 31s
Come Back to Erin - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Only one reel of this three-reel film has survived the ravages of time and so the tale is incomplete – but worth watching nonetheless. In this transatlantic tale, feisty young Peggy O’Malley (Gene Gauntier) refuses her father's orders to marry Jerry, the village blacksmith and runs away to New York City via steam-liner. Upon landing in New York she gets a job working as a parlour maid in the home of wealthy Mrs Mortimer. The film includes striking documentary-like elements in scenes set in Ireland – at the cattle market in Killarney and scenes of the emigrant ship leaving Queenstown (now Cobh) for America. This is all that survives of the film. Contemporaneous reviews fill in the remaining story : It’s not long before Peggy falls into a bad crowd and soon finds herself arrested for a crime she didn’t commit. With the news of Peggy’s arrest having made its way back home, will her blacksmith in shining armour come to save her from her wrongful imprisonment and take her back to Ireland? A single reel of this 3 reel film was discovered in the Museum of Modern Art following research by IFI in preparation for a major retrospective of Irish cinema in MOMA in 2011.
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3m 17s
The Loopline Collection Featurette
Loopline Films is an independent production company established in 1992 by award-winning filmmaker Sé Merry Doyle. Since its foundation, Loopline has been at the heart of Irish independent broadcasting creating a wealth of important and diverse material on topics such as folklife, ethnology, architecture, art, literature and inner city life. The subjects explored by Loopline were chosen by Merry Doyle for their cultural and social importance. This first tranche of the Loopline Collection covers key areas of Irish history and arts, and contains a unique wealth of stunning images revealing everyday Irish society in urban settings. The focus of the filmmaker is on national identity in a changing world and Sé Merry Doyle set up Loopline Film with the specific intention of making creative documentaries that would endure and stand the test of time. The breadth of the collection is evident in the diversity of its content: The Folklife footage captures the last living moments of many traditional rural ways of life before mass production and consumerism led to their demise. The material covers traditional farming methods, boatbuilding, weaving, fishing, thatching, wheelwright, and spiritual customs. The collection contains a large quantity of urban material that chronicles the changing landscape of Dublin, its buildings and its citizen’s ways of life. The films include such historically resonant images as the clearance of slums, the closure of traditional markets, and tragic accounts of young teenagers dying from the heroin epidemic of the early 90’s. Portraits of artists, architects, writers and poets are also a cornerstone of the collection with riveting interviews with the very best artistic talent in the country. Patrick Kavanagh, John Montague, Hugh Leonard, James Gandon, Jennifer Johnston, Doris Lessing, John Henry Foley, Eavan Boland, Brendan Kennelly and Joseph O’Connor are but a fraction of those featured.
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3m 48s
The Trial of Roger Casement
This newsreel contains various segments, the first short item capturing crowds gathering on Bow Street Magistrates Court waiting to hear the outcome of the trial of British diplomat turned Irish nationalist Sir Roger Casement. Only one piece of footage of Casement himself is known to exist, and for this Topical Budget’s newsreel, cameras had to improvise as his dramatic downfall played out. Arrested on April 21st 1916, hours after landing on the Kerry coast in a German submarine and just three days before the Easter Rising began in Dublin, Casement was whisked away to London to stand trial for treason. He was executed on August 3rd , his fate sealed by the discovery and distribution of the legendary ‘Black Diaries’, which contained accounts of his homosexual activities. His body was buried in quicklime at Pentonville Prison and his remains not repatriated to Ireland until 1965. The remaining segments include Sir John Maxwell inspecting the troops in the Trinity College grounds in May 1916 as well as soldiers stacking up Rifles and Pikes at Islandbridge Barracks.
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9m 31s
Lord Mayor of Cork Dead
Despite the opening intertitle which refers to activities on the streets of Cork, much of the footage here was filmed in London. The film documents the final journey of Terence Mac Swiney, Lord Mayor of Cork, who died on hunger strike in Brixton Prison on October 25th, 1920. MacSwiney's death was marked by three funeral processions - in London (seen here); in Dublin (where an empty coffin was carried through the streets of Dublin - not seen here) and in Cork where he was finally laid to rest. Opening sequence shows coffin carried by MacSwiney’s brother and others and being blessed by Archbishop Mannix of Melbourne before being placed in horse drawn hearse. Hearse travels through streets of London. Thousands line the streets. Members of the constabulary hold back throngs outside St George’s Cathedral, Southwark where thousands come to pay their respects. Scenes as members of the clergy arrive at Brixton prison. There are some scenes of the funeral procession through the streets of Cork. Terence James MacSwiney was an Irish playwright, author and politician. He was elected as Sinn Féin Lord Mayor of Cork during the Irish War of Independence in 1920. He was arrested by the British on charges of sedition and imprisoned in Brixton Prison in England. His death there in October 1920 after 74 days on hunger strike brought him and the Irish struggle to international attention.
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35s
President of Éire
Large crowds gather on the streets of Dublin as Ireland’s first President, Dr. Douglas Hyde, is installed. This newsreel from 1938 depicts the military procession that leads Douglas Hyde past the Grand Central Cinema and the GPO on O’Connell Street, Dublin to the Phoenix Park where he is to be installed as President of Ireland. When he arrives at Áras an Uachtaráin he is greeted by Eamon de Valera, Prime Minister, and Seán T O’Kelly, Tánaiste who would succeed Hyde as President in 1945. Áras an Uachtaráin was built in 1751 in Phoenix Park, Dublin. It had been acquired for use by the Viceroys who oversaw British rule in Ireland until 1922 but became the President of Ireland’s official home in 1938. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.
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9m 35s
Housing Discrimination - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Shot in 1953, this film highlighted housing discrimination practiced by the unionist-controlled council in the town of Fintona in County Tyrone. It outlines the inequalities faced by the poorer, and usually nationalist, inhabitants, and details how new council houses are being given to unionist residents who are in less need of the houses than nationalists. It argues that the discrimination is motivated by the desire to maintain a majority of unionist voters in certain constituencies. Housing Discrimination was produced by the Information Division of the Irish Department of External Affairs (now the Department of Foreign Affairs) and was allegedly partly shot using a hidden camera. In 1954 it was distributed in Britain by the Anti-Partition League, which prompted the Northern Ireland provincial government to complain to the British government, asking it to lodge a complaint with the Irish government. The film is interesting for a number of reasons; its originator (effectively the Irish government), its subject matter (housing discrimination in Northern Ireland), its argument (discrimination represents a conspiracy against the people of Ireland by a ruling group acting in concert with the British government) and its language (virulently Irish nationalist and anti-British). With kind permission of the Department of Foreign Affairs.