IFI Irish Film Archive

Badminton Championships: Mens’ Doubles / Craobhchomórtais Bhadmantain: Cluichí Dúbailte na bhFear

Year1960 Duration1m 11s ProducerGael Linn

Ulster and Leinster fight for the title at the All-Ireland Badminton Championships Men’s Doubles in Dublin. Uladh agus Laighean i gcomórtas don teideal ag Craobhchomórtas Badmantan Uile-Éireann na bhFear i mBaile Átha Cliath. Produced by Gael Linn, Amharc Éireann (A View of Ireland) is Ireland’s first long-running indigenous newsreel series. It was distributed to cinemas throughout the country to promote the Irish language. Between 1956 and 1964, 267 editions of the newsreel were produced for cinema exhibition. With kind permission of Gael Linn. Léirithe ag Gael Linn, ba í Amharc Éireann (A View of Ireland) an chéad sraith dhúchasach de nuachtríleanna fadbhunaithe in Éirinn. Dháiltí iad ar phictiúrlanna ar fud na tíre leis an Ghaeilge a chur chun cinn. Idir 1956 agus 1964, léiríodh 267 eagrán de na nuachtríleanna le taispeáint sa phictiúrlann. Le caoinchead ó Gael Linn.

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. November 1961 and students from Trinity College marched the main streets of Dublin in protest at nuclear bomb testing. The Campaign for Nuclear Disarmament, CND, was established in the UK in 1958 in the wake of widespread fear of conflict and the effects of nuclear testing. CND quickly grew with branches in Scotland, Wales and Ireland. This newsreel recorded Irish student protesters as they marched in Dublin from St. Stephens Green to the Ambassador Theatre on O’Connell Street. Their placards demanded 'Ban the Bomb' and called for world peace. Produced by Gael Linn, Amharc Éireann (A View of Ireland) is Ireland’s longest-running indigenous newsreel series. It was distributed to cinemas throughout the country to promote the Irish language. The first 36 issues were produced as single-topic films which were released monthly, followed in 1959 by weekly, multi-story newsreels featuring a broad range of topics, from hard news stories to lighter magazine-style items. Between 1956 and 1964, 267 editions of the newsreel were produced for cinema exhibition. With kind permission of Gael Linn.

14s

Gaol for a Kiss

This newsreel features a laughing Julia Clarke who fled Ireland after being sentenced to one month in gaol for kissing her boyfriend. Julia Clarke, from Glasgow, was sentenced by Dundalk Court for kissing her boyfriend on church property at Blackrock, Co. Louth. According to a news article at the time, ‘the local vigilance committee was shocked and the Dundalk Justices were so scandalised that, although Miss Clarke already had returned home to Glasgow, they passed the sentence “with a view to keeping her out of the country for ever”. Her unnamed boyfriend had already appeared before the Court and was ordered to pay a small fine. Ms. Clarke was the first woman sentenced under Eamon de Valera’s ‘Vice Act’. In this newsreel, she doesn’t appear too worried about the sentence. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.

1m 07s

Further Pictures of Irish Peace

This newsreel depicts the immediate aftermath of the Anglo-Irish Peace Treaty on December 6th 1921, showing the release of 1,700 internees from Ballykinlar internment camp. In the aftermath of Bloody Sunday, November 21st 1920, the British authorities arrested hundreds of republicans and opened several internment camps throughout Ireland. The first internment camp was this one at Ballykinlar, in Co. Down, while the volume of arrests was so great that additional camps had to be established at Gormanstown, Co. Dublin; Bere Island and Spike Island, Co. Cork; and at the Curragh, in Co. Kildare. Opened in December 1920 Ballykinlar Camp was situated on the Co. Down coast at the mouth of Dundrum Bay, about three miles from Dundrum village between Downpatrick and Newcastle. Over the following year 2,000 men were interned at Ballykinlar.Three days later after the signing of the Anglo-Irish Treaty, on December 9th 1921, all Republican prisoners were released from Ballykinlar. Three special trains brought the men to Dublin, from where the internees made their own way to their home Counties. The trains were attacked by loyalist mobs with gunfire, bricks and stones at several locations. The Leinster Leader however on, December 17th 1921, reported on the release of the Ballykinlar and Curragh Camp internees, remarking that the reception in Athy was ‘a very warmhearted one’.

56m 45s

Dear Daughter - Trish McAdam Filmmaker Playlist

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Dear Daughter was the first televised exposure of the horrific abuse of hundreds of children in Ireland’s industrial schools. Christine Buckley bravely recounts the extent of the atrocities she experienced as a child in Dublin’s Goldenbridge orphanage in this drama-documentary. Born in Dublin, she was the daughter of a married Irish woman and a Nigerian medical student. At the age of three weeks old she was given up to be fostered. Dear Daughter delves into her traumatic childhood at the orphanage and her persistent determination to find her parents. Dear Daughter was one of several television documentaries (including Lentin’s Stolen Lives (1999) and Mary Rafferty’s States of Fear (1999)) which heightened public awareness of institutional abuse, and lead to the commissioning of the Murphy and Ryan reports, which investigated the sexual abuse scandal in the Catholic archdiocese of Dublin leading to a full State apology to victims of clerical child abuse by then Taoiseach Bertie Ahern. Dear Daughter was awarded the Creative Excellence Award at the US International Film and TV Festival 1996 and was nominated for Social and Political Documentary, Banff Television Festival, 1996. With kind permission of Dr. Ronit Lentin.

9m 35s

Housing Discrimination - Trish McAdam Filmmaker Playlist

Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. Shot in 1953, this film highlighted housing discrimination practiced by the unionist-controlled council in the town of Fintona in County Tyrone. It outlines the inequalities faced by the poorer, and usually nationalist, inhabitants, and details how new council houses are being given to unionist residents who are in less need of the houses than nationalists. It argues that the discrimination is motivated by the desire to maintain a majority of unionist voters in certain constituencies. Housing Discrimination was produced by the Information Division of the Irish Department of External Affairs (now the Department of Foreign Affairs) and was allegedly partly shot using a hidden camera. In 1954 it was distributed in Britain by the Anti-Partition League, which prompted the Northern Ireland provincial government to complain to the British government, asking it to lodge a complaint with the Irish government. The film is interesting for a number of reasons; its originator (effectively the Irish government), its subject matter (housing discrimination in Northern Ireland), its argument (discrimination represents a conspiracy against the people of Ireland by a ruling group acting in concert with the British government) and its language (virulently Irish nationalist and anti-British). With kind permission of the Department of Foreign Affairs.

35s

President of Éire

Large crowds gather on the streets of Dublin as Ireland’s first President, Dr. Douglas Hyde, is installed. This newsreel from 1938 depicts the military procession that leads Douglas Hyde past the Grand Central Cinema and the GPO on O’Connell Street, Dublin to the Phoenix Park where he is to be installed as President of Ireland. When he arrives at Áras an Uachtaráin he is greeted by Eamon de Valera, Prime Minister, and Seán T O’Kelly, Tánaiste who would succeed Hyde as President in 1945. Áras an Uachtaráin was built in 1751 in Phoenix Park, Dublin. It had been acquired for use by the Viceroys who oversaw British rule in Ireland until 1922 but became the President of Ireland’s official home in 1938. This film is part of The Irish Independence Film Collection – The Early Irish Free State that explores facets of Irish society after the War of Independence and up to the birth of the Irish Republic.