IFI Irish Film Archive
AIB: Students
Duration20s
ProducerArks Ltd. Advertising & Marketing
A short advertisement for AIB, highlighting the usefulness of a chequebook to students.
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Kay
Kay is a short documentary that explores the artistic approach and paintings of Kay Lavelle, a sixth-year pupil at Sion Hill, one of Ireland's oldest all girls’ secondary schools in County Dublin. The film follows the student as she paints on Killiney strand with beachgoers and fishermen and at the school's art studio. Sister Maureen MacMahon, the filmmaker and Kay's teacher, created the work after her student returned from Germany dramatically affected by the adverse effects of the industrial revolution on the human psyche. Kay won the National Film Institute's Amateur Cine Competition in 1968. Sister Maureen MacMahon OP (b.1918) is an artist, writer, educator, filmmaker and Dominican nun. She entered the Dominican Order at Cabra, County Dublin, in 1936. MacMahon attended the National College of Art, Dublin, and received an ATC Certificate and Diploma in Art Education in 1970. She taught art in various local primary schools from 1947 to 1971. In the early 1970s, she worked as the Head of the Audio-Visual Department at Radharc, and later part-time lecturer at Trinity College, Dublin and St. Patrick’s Training College. MacMahon was part of the Black Raven Film Group, along with Owen Carton and Sean Brophy, which produced documentaries and educational films even winning the National Film Institute’s ‘Gevaert Perpetual Challenge’1st Place Trophy in 1967. In 2022, the Irish Film Institute held a public screening of MacMahon’s work, which she attended at the age of 104 years old.
Dear Daughter - Trish McAdam Filmmaker Playlist
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Statistic - Trish McAdam Filmmaker Playlist
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Dublin Students Protest - Trish McAdam Filmmaker Playlist
Our second IFI Filmmaker Playlist is curated by filmmaker and visual artist Trish McAdam. Since the production of her early shorts in the 1980s, Trish has created a vibrant and varied body of work, embracing a range of forms and subjects and retaining a singular, independent voice. We're delighted to welcome Trish to the Irish Film Institute to select her top picks from films preserved in the IFI Irish Film Archive and presented on the IFI Archive Player. November 1961 and students from Trinity College marched the main streets of Dublin in protest at nuclear bomb testing. The Campaign for Nuclear Disarmament, CND, was established in the UK in 1958 in the wake of widespread fear of conflict and the effects of nuclear testing. CND quickly grew with branches in Scotland, Wales and Ireland. This newsreel recorded Irish student protesters as they marched in Dublin from St. Stephens Green to the Ambassador Theatre on O’Connell Street. Their placards demanded 'Ban the Bomb' and called for world peace. Produced by Gael Linn, Amharc Éireann (A View of Ireland) is Ireland’s longest-running indigenous newsreel series. It was distributed to cinemas throughout the country to promote the Irish language. The first 36 issues were produced as single-topic films which were released monthly, followed in 1959 by weekly, multi-story newsreels featuring a broad range of topics, from hard news stories to lighter magazine-style items. Between 1956 and 1964, 267 editions of the newsreel were produced for cinema exhibition. With kind permission of Gael Linn.
Statistic
‘Who needs a pregnant waitress?’ is just one of the questions that fills Ellie Connolly’s mind when she discovers she is pregnant in 1980s Ireland. Statistic was made by film student Alison Kelly in 1983, the year which saw the passing of the Eighth Amendment to the Constitution Act (which effectively criminalised abortion in most circumstances). Ellie (Edel McCrann) is pregnant as “the result of a drunken screw between two people who hardly knew each other”. She broods in her flat and discusses her predicament with her good friend Anne – she must tell her boyfriend Paul but she knows ’In the end it’s inside me, not him’. She finds information in a magazine about abortion services in the UK and Anne accompanies her to the ferry – following the footsteps of the many women before her. Statistic is invaluable as a contemporaneous response to events in 1983 – the film includes newspaper headlines and filmed sequences of pro and anti-abortion marches and dramatizes the plight of a young woman dealing with a crisis pregnancy. It is also a vivid record of the sights and sounds of Dublin in the 1980s - not least in the colourful cameos from mime artist Raymond Keane and indie band The Cuba Dares. This film is part of F-Rated: Short Films by Irish Women.